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{{Infobox building
| name = Modulightor Building
| logo =
| logo_size =
| logo_alt =
| logo_caption =
| image = Modulightor Building 2024.jpg
| image_size =
| image_alt = <!-- or |alt= -->
| image_caption = The building in 2024, after its additions
| mapframe-marker = building
| coordinates = {{coord|40.760009|-73.965381|type:landmark|display=inline,title}}
| former_names =
| alternate_names =
| etymology =
| status =
| cancelled =
| topped_out =
| building_type =
| architectural_style = [[Modernist architecture|Modernist]]
| classification =
| ___location =
| address = 246 East 58th Street,<br />[[Manhattan]], [[New York City]]
| current_tenants =
| namesake =
| groundbreaking_date =
| start_date = 1989
| stop_date = 1994
| topped_out_date =
| completion_date = <!-- or |est_completion= -->
| opened_date =
| inauguration_date =
| relocated_date =
| renovation_date =
| closing_date =
| demolition_date = <!-- or |destruction_date= -->
| cost =
| ren_cost =
| client =
| owner =
| landlord = <!-- or |management= or |operator= or |governing_body= -->
| affiliation =
| height =
| architectural =
| tip =
| antenna_spire =
| roof =
| top_floor =
| observatory =
| diameter =
| circumference =
| weight =
| other_dimensions =
| structural_system =
| material =
| size =
| floor_count =
| floor_area =
| elevator_count =
| grounds_area =
| architect = [[Paul Rudolph (architect)|Paul Rudolph]]
| architecture_firm =
| developer =
| engineer =
| structural_engineer =
| services_engineer =
| civil_engineer =
| other_designers =
| quantity_surveyor =
| main_contractor =
| awards =
| designations =
| known_for =
| ren_architect =
| ren_firm =
| ren_engineer =
| ren_str_engineer =
| ren_serv_engineer =
| ren_civ_engineer =
| ren_oth_designers =
| ren_qty_surveyor =
| ren_contractor =
| ren_awards =
| parking =
| public_transit =
| website = <!-- {{URL|example.com}} -->
| references =
| footnotes =
| embed =
| embedded = {{Infobox historic site
| embed = yes
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}}
The '''Modulightor Building''' is a commercial building in the [[Midtown East]] neighborhood of [[Manhattan]], New York City. The first four stories, designed by the architect [[Paul Rudolph (architect)|Paul Rudolph]], originally comprised a townhouse that was rebuilt between 1989 and 1993. It was one of the last buildings that Rudolph completed in Manhattan; unlike his other projects, it was not particularly well known, receiving little media coverage until the 2000s. The fifth and sixth
The building was constructed for Modulightor, a company that Rudolph co-founded to sell light fixtures. It has seen commercial and residential uses, and later housed a gallery on its top floors. The main [[Elevation (architecture)|elevation]] of the facade is to the north, while the rear elevation faces south; both are composed of overlapping, interlocking rectangles made of white I-beams. There is a rooftop deck with gray tiles, in addition to protruding balconies in the rear. The building holds Modulightor's fabrication center in the basement and on the first floor, while the remaining spaces house the Paul Rudolph Institute for Modern Architecture and two duplexes.
==Site==
The Modulightor Building is at 246 East 58th Street in the [[East Midtown]] neighborhood of [[Manhattan]] in [[New York City]].<ref name="Architectural Press Limited 2004 p.">{{cite book |last=Menking |first=William |url=https://www.architectsjournal.co.uk/archive/manhattan-masterpiece |title=The Architects' Journal |date=Oct 2004 |publisher=Architectural Press Limited |year= |page= |pages=
[[Paul Rudolph (architect)|Paul Rudolph]], the Modulightor Building's developer, had bought the building specifically because of the presence of several design showrooms in the area,<ref name="NYCL pp. 8–9">{{harvnb|Landmarks Preservation Commission|2023|ps=.|pp=8–9}}</ref> which had been unofficially known as the Design District since at least the 1960s.<ref name="NYCL p. 9">{{harvnb|Landmarks Preservation Commission|2023|ps=.|p=9}}</ref><ref name="The New York Times 1967 w770">{{cite web |date=August 27, 1967 |title=Showrooms Grow In Design District |url=https://www.nytimes.com/1967/08/27/archives/showrooms-grow-in-design-district-a-new-district-for-showrooms.html |access-date=May 22, 2025 |website=The New York Times |issn=0362-4331}}</ref>
==Architecture==
The original section of the building, a mixed-use store and residential building, was constructed from 1989 to 1994 to designs by [[Paul Rudolph (architect)|Paul Rudolph]].<ref name="NYT 2018">{{Cite news |last1=Farago |first1=Jason |date=December 20, 2018 |title=Paul Rudolph at 100: The Mischief Maker in a New Light |url=https://www.nytimes.com/2018/12/20/arts/design/paul-rudolph-beekman-center-for-architecture-modulightor.html |access-date=May 22, 2025 |newspaper=The New York Times}}</ref><ref name="6sqft">{{cite news |last=Cohen |first=Michelle |date=July 29, 2019 |title=Modernist Must-See: Tour the Upper East
Rudolph experimented with various features in the design of the Modulightor Building, using details popularized by such architects as [[Frank Lloyd Wright]], [[Ludwig Mies van der Rohe]], or [[Le Corbusier]].<ref name="NYCL (2025) p. 12">{{harvnb|Landmarks Preservation Commission|2025|ps=.|page=12}}</ref> Even though Rudolph had completed the building not long before he died, he used it to test out various theories regarding the use and configuration of space.<ref name="nyt-2004-07-08" /><ref name="NYCL (2025) p. 12" /> Rudolph's colleague and life partner Ernst Wagner, a longtime resident of the building,<ref name="Devlin 2017 p. 230" /><ref name="NYCL p. 10" /> said that the design reflected the fact that the Modulightor Building was "very much a building Paul built for himself".<ref name="p207655256">{{Cite news |last=Kipling |first=Kay |year=2005 |title=Portrait of an architect |work=Sarasota Magazine |page=152 |volume=27 |issue=3 |id={{pq|207655256}}}}</ref>
=== Exterior ===
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==== Facade ====
The main [[Elevation (architecture)|elevation]] of the facade is to the north, along 58th Street.<ref name="NYCL p. 6" /> Both the main facade and the rear facade are composed of overlapping, interlocking rectangles made of white I-beams.<ref name="NYCL p. 6" /><ref name="nyt-2004-07-08" /><ref name="NY2000">{{cite NY2000|pages=938, 940}}</ref> The interlocking nature of the beams gives the facade a quality similar to a [[jigsaw puzzle]],<ref name="NYCL p. 6" /> contrasting with the row houses that adjoining it.<ref name="Wainwright v727">{{cite web |last=Wainwright |first=Oliver |date=November 19, 2024 |title=Celebrated, reviled, reborn: Paul Rudolph, the brutalist architect with a party streak |url=https://www.theguardian.com/artanddesign/2024/nov/19/us-architect-paul-rudolph-exhibition-metropolitan-museum-new-york |access-date=May 22, 2025 |website=the Guardian}}</ref> The western facade is a white [[party wall]] with narrow windows on the fifth and sixth stories, while the eastern facade has narrow windows on the fourth floor, fifth floor, and rooftop deck.<ref name="NYCL p. 7">{{harvnb|Landmarks Preservation Commission|2023|ps=.|p=7}}</ref>
[[File:
The main elevation is about {{convert|3|ft}} deep and includes concrete panels for reinforcement.<ref name="Paul Rudolph Institute for Modern Architecture n772">{{cite web |title=Our Office |url=https://www.paulrudolph.institute/our-office |access-date=May 22, 2025 |website=Paul Rudolph Institute for Modern Architecture}}</ref> The I-beams were manufactured to three different widths. The vertical beams are largely {{Convert|4.25|in}} deep, except for those at the far western and eastern edges, which are {{Convert|8.25|in}} deep; the horizontal beams are {{Convert|6.25|in}} deep.<ref name="NYCL p. 12">{{harvnb|Landmarks Preservation Commission|2023|ps=.|p=12}}</ref> Though
The rear elevation has fewer I-beams than the main elevation, although the windows are larger. The lowest two stories have not been modified since the 1960s.<ref name="NYCL p. 12" /> These stories span the lot's width; there is a skylight above the second floor.<ref name="NYCL pp. 6–7">{{harvnb|Landmarks Preservation Commission|2023|ps=.|pp=6–7}}</ref> The third floor, designed by Rudolph, has a steel-grated wood deck spanning the lot's width, with mechanical equipment on one end and a [[hot tub]] on the opposite end. There is a door at the deck's eastern end, which ascends to a door with a [[transom window]] above it; a [[greenhouse]] is located to the west of this door.<ref name="NYCL p. 7" /> The fourth floor of the facade was also designed by Rudolph.<ref name="NYCL p. 12" />
==== Roof ====
There is a rooftop deck with gray tiles, which is surrounded by glass-and-metal [[
=== Interior ===
As designed, the showroom of the Modulightor company was intended to be on the first floor, while the story immediately above was to be Rudolph's office.<ref name="Devlin 2017 p. 230">{{cite book |last=Devlin |first=Polly |url=https://books.google.com/books?id=SY8pDwAAQBAJ&pg=PT230 |title=New York Behind Closed Doors |publisher=Gibbs Smith |year=2017 |isbn=978-1-4236-4732-4 |page=230}}</ref> The third and fourth floors were to contain two [[
{{As of|2024}}, the building holds Modulightor's fabrication center in the basement and on the first floor.<ref name="Cereal d504">{{cite web |last=Gallow |first=Lauren |date=September 25, 2021 |title=The Modulightor Building |url=https://readcereal.com/modulightor/ |url-status=dead |archive-url=https://web.archive.org/web/20210927161834/https://readcereal.com/modulightor/ |archive-date=September 27, 2021 |access-date=May 22, 2025 |website=Cereal Magazine}}</ref> The store sells lighting fixtures, including lamps similar to those that Rudolph's house on 23 Beekman Place.<ref name="nyt-2007-10-07">{{Cite news |last=Bernstein |first=Fred A. |date=October 7, 2007 |title=Shining Moment |url=https://www.nytimes.com/2007/10/07/t-magazine/design/07shining.html |access-date=May 22, 2025 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> The remaining spaces house the Paul Rudolph Institute for Modern Architecture,<ref name="Cereal d504" /> which hosts events and exhibits at the apartment.<ref name="Wainwright v727" /><ref name="Kasingsing i153"/> The institute gives periodic tours of the duplex,<ref name="Wainwright v727" /><ref name="Kasingsing i153"/> opening it to the public twice monthly.<ref name="Levingston r951">{{cite web |last=Levingston |first=Miranda |date=May 6, 2025 |title=This Upper East Side Duplex Apartment Is NYC's Newest Landmark |url=https://patch.com/new-york/upper-east-side-nyc/duplex-apartment-modulightor-building-gets-landmarked |access-date=May 22, 2025 |website=Upper East Side, NY Patch}}</ref> The Rudolph Foundation, which occupied the building until 2014,<ref name="Institute o972" /><ref name="NYCL (2025) p. 14"/> also hosted tours and rented out the space for events.<ref name="nyt-2004-07-08" /> The building's interior is the only Rudolph–designed space in New York City that is ordinarily open to the public.<ref name="Wainwright v727" /><ref name="LPC u503">{{cite web |date=May 6, 2025 |title=LPC Designates Manhattan's Modulightor Building Apartment Duplex as an Interior Landmark |url=https://www.nyc.gov/site/lpc/about/pr2025/lpc-designates-modulightor-interior-20250506.page |access-date=May 22, 2025 |website=Welcome to NYC.gov}}</ref>
==== Third- and fourth-floor duplex ====
[[File:
The third- and fourth-floor duplex apartment spans about {{Convert|3000|ft2}}.<ref name="NY2000" /> It has four bedrooms, four bathrooms, two balconies between the floors, two living rooms, and a kitchen divided into northern and southern sections.<ref name="NYCL (2025) pp. 6–7">{{harvnb|Landmarks Preservation Commission|2025|ps=.|pages=6–7}}</ref> The duplex is decorated in a white color palette throughout, with white built-in furniture.<ref name="Cereal d504" /><ref name="p232261825">{{Cite news |last=Smith |first=Chad |date=January 26, 2005 |title=Everything emptying into white |work=The Village Voice |page=14 |id={{pq|232261825}}}}</ref><ref name="NYCL (2025) p. 6">{{harvnb|Landmarks Preservation Commission|2025|ps=.|page=6}}</ref> The rooms are interconnected spaces that blend into one another,<ref name="Metropolis h651">{{cite web |last=Artemel |first=A.J.P. |date=November 3, 2022 |title=Remembering Paul Rudolph, the Lonely Modernist, at 100 |url=https://metropolismag.com/profiles/paul-rudolph-centenary/ |access-date=May 22, 2025 |website=Metropolis}}</ref><ref name="p232261825" /> which according to the [[New York City Landmarks Preservation Commission]] (LPC) were intended to make the spaces appear larger than they actually were.<ref name="NYCL (2025) p. 12" /> They have decorations such as floating house plants,<ref name="Wainwright v727" /> suspended staircases with floating treads,<ref name="Wainwright v727" /><ref name="NYCL (2025) p. 12" /><ref name="Cereal d504" /> banisters, and bookshelves.<ref name="Cereal d504" /><ref name="Metropolis h651" /> The staircases, balconies, and glass walls in these rooms may be inspired by the designs of the [[Pavillon de l'Esprit Nouveau]] model home and [[Unité d'Habitation of Berlin]], both designed by Le Corbusier.<ref name="NYCL (2025) p. 12" /> There are also decorations such as metal beams and grated sections of floor,<ref name="NYCL (2025) pp. 6–7" /> in addition to lighting made by Modulightor.<ref name="NYCL (2025) p. 6" /> When Wagner and Rudolph occupied the building, the duplex was decorated with objects such as African sculptures, Japanese figurines, Turkish machine parts,<ref name="Architectural Press Limited 2004 p." /><ref name="Cereal d504" /> gold chargers, and masks.<ref name="p232261825" />
On the third floor, the northern and southern living rooms are connected by a north–south hallway along the eastern side of the house, which leads to an elevator and the main stairway to the ground. The L-shaped north living room wraps around a bathroom to the east.<ref name="NYCL (2025) p. 28">{{harvnb|Landmarks Preservation Commission|2025|ps=|page=28}}, diagram.</ref> The southern wall of the north living room has a door to the hallway, while the eastern wall has a metal fireplace mantel and wooden cabinets. There are shelves and a sofa on the western wall (adjoining a staircase to the northern balcony), while the northern wall adjoins a terrace.<ref name="NYCL (2025) p. 6" /> On the western side of the house, the two sections of the kitchen are separated by a wall with a door.<ref name="NYCL (2025) p. 28" /> The northern half includes a refrigerator and oven, while the southern half contains a stovetop, fume hood, and sinks; both sections include shelves, cabinets, and white counters.<ref name="NYCL (2025) p. 6" /> The south living room is also L-shaped, wrapping around a bathroom to the east.<ref name="NYCL (2025) p. 28" /> Within the south living room, another staircase near the kitchen ascends to the southern balcony. The eastern wall has a metal fireplace mantel and wooden cabinets; the southeast corner has a window and desk; and the western side has a steel beam above two sofas.<ref name="NYCL (2025) pp. 6–7" /> Along the southern wall of the south living room is an alcove, which has a double-height ceiling and a door leading to the rear garden.<ref name="NYCL (2025) p. 7">{{harvnb|Landmarks Preservation Commission|2025|ps=.|page=7}}</ref>
[[File:
The northern and southern halves of the fourth floor each have two bedrooms and a bathroom; these are connected by a north–south passageway to the east, which lead to the elevator and main stair.<ref name="NYCL (2025) p. 29">{{harvnb|Landmarks Preservation Commission|2025|ps=|page=29}}, diagram.</ref> The LPC labels them as north bedroom 1, north bedroom 2, south bedroom 2, and south bedroom 1 from north to south.<ref name="NYCL (2025) p. 7" /> There are two [[
==History==
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=== Original structure ===
[[File:Modulightor Building 2006.jpg|thumb|The facade seen in 2006]]
The four-story building was constructed for Modulightor. It has seen commercial and residential uses, and later housed a gallery on its top floors.<ref name="NYT 2018" /><ref name="6sqft" /> Originally, Donald Luckenbill oversaw the project between 1989 and 1990;<ref name="NYCL p. 11">{{harvnb|Landmarks Preservation Commission|2023|ps=.|p=11}}</ref> Luckenbill reflected that Rudolph "did hundreds of facade studies for this modest building".<ref name="nyt-2004-07-08" /> Mark Squeo took over the design after 1990.<ref name="NYCL p. 11" /> Rudolph frequently added, adjusted, or removed features during the building's construction, which led to persistent shortages.<ref name="p207655256" /><ref name="Wainwright v727" /> The Paul Rudolph Institute's president Kelvin Dickinson described the Modulightor Building as a passion project of Rudolph's, saying: "I think he ran out of money three times."<ref name="Barron 2025" /> Wagner later recalled Rudolph telling him, "Ernst, I remain an architect", despite Wagner's trepidation about Rudolph's persistence.<ref name="p207655256" />
The facade panels at the front and rear were being installed by mid-1992, and the beams on the facade were being painted by early 1993.<ref name="NYCL p. 11" /> A temporary [[certificate of occupancy]] was granted for the building's first basement, the ground-story retail space, and an office mezzanine in May 1993. In June of the following year, another certificate of occupancy was granted for both basement levels and the four above-ground stories.<ref name="NYCL p. 11" /><ref name=":0" /> The temporary certificate of occupancy provided for two duplex apartments on the third and fourth floors—one each on the south and north sides of both floors.<ref name="NYCL (2025) p. 11" /> By that July, Rudolph had completed plans for the duplexes<ref name="NYCL (2025) p. 11" /> and began leasing out these apartments.<ref name="NYCL p. 11" /><ref name="Rohan p. 223">{{cite book |last=Rohan |first=Timothy M. |url=https://www.google.com/books/edition/The_Architecture_of_Paul_Rudolph/MkmPAwAAQBAJ?hl=en&gbpv=1&bsq=%2522modulightor%2522 |title=The Architecture of Paul Rudolph |date=July 10, 2014 |publisher=Yale University Press |isbn=978-0-300-14939-5 |page=223}}</ref> Rental income from these apartments was used to help pay off the building's mortgage.<ref name="Rohan p. 223" /> The Modulightor store's space was completed in 1996.<ref name="NY2000" />
Rudolph was diagnosed with [[mesothelioma]], or asbestos cancer, toward the end of his life<ref name="Muschamp 1997">{{Cite news |last=Muschamp |first=Herbert |date=August 9, 1997 |title=Paul Rudolph Is Dead at 78; Modernist Architect of the 60's |url=https://www.nytimes.com/1997/08/09/arts/paul-rudolph-is-dead-at-78-modernist-architect-of-the-60-s.html |access-date=May 22, 2025 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> and was seriously ill by 1996.<ref name="NYCL p. 11" /> That year, [[MTV]] founder John Lack agreed to rent both duplexes.<ref name="Institute o972" /><ref name="NYCL (2025) p. 14">{{harvnb|Landmarks Preservation Commission|2025|ps=.|page=14}}</ref> Lack agreed to pay $6,000 per month, living in the southern duplex, and his daughter took over the northern duplex.<ref name="Institute o972" /> Rudolph attempted to give his home at 23 Beekman Place to the [[Library of Congress]] so the library could preserve his documents after he died, but the Library of Congress instead sold the Beekman Place apartment.<ref name="Barron 2025" /> Instead, in April 1997,<ref name="Institute o972" /> Rudolph bequeathed a partial ownership stake in the Modulightor Building to Wagner.<ref name="NYCL p. 11" /><ref name="Barron 2025" /> Rudolph ultimately died that August.<ref name="Institute o972" /><ref name="Muschamp 1997" />
=== After Rudolph's death ===
[[File:
Wagner began seeking a buyer for Rudolph's other residence at [[23 Beekman Place]] in 1998,<ref name="Institute o972" /><ref name="nyt19981203">{{Cite news|last=Brown|first=Patricia Leigh|date=December 3, 1998|title=Toil and Trouble In Plexi-Land|language=en-US|work=The New York Times|url=https://www.nytimes.com/1998/12/03/garden/toil-and-trouble-in-plexi-land.html|access-date=May 22, 2025|issn=0362-4331|archive-date=May 11, 2021|archive-url=https://web.archive.org/web/20210511165543/https://www.nytimes.com/1998/12/03/garden/toil-and-trouble-in-plexi-land.html|url-status=live}}</ref> though it would not be sold for two years.<ref name="Institute o972" /><ref>{{Cite news|last=Reed|first=Danielle|date=May 4, 2000|title=Witkoff plots plans for Hell's Kitchen|pages=377|work=New York Daily News|url=https://www.newspapers.com/clip/77462784/witkoff-plots-plans-for-hells-kitchen/|access-date=May 10, 2021|archive-date=May 11, 2021|archive-url=https://web.archive.org/web/20210511211948/https://www.newspapers.com/clip/77462784/witkoff-plots-plans-for-hells-kitchen/|url-status=live}}</ref> Meanwhile, Lack and his daughter moved out of the Modulightor Building around 1999.<ref name="NYCL (2025) p. 14"/> After a prolonged disagreement over Rudolph's [[will and testament]], Wagner helped establish the Paul Rudolph Foundation {{Circa|2001}}<ref name="NYCL (2025) p. 14"/> or 2002.<ref name="NYCL p. 11" /> Wagner moved to the building in either 2000<ref name="nyt-2005-10-09">{{Cite news |last=Fernandez |first=Manny |date=October 9, 2005 |title=Architectural Riches, Usually Hidden, Open for Show |url=https://www.nytimes.com/2005/10/09/nyregion/architectural-riches-usually-hidden-open-for-show.html |access-date=May 22, 2025 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> or 2002, and Luckenbill subsequently combined two of the building's apartments.<ref name="NYCL p. 11" /> This work involved removing a wall between the northern and southern duplex units,<ref name=":0" /> as well as adding shelves similar to those at 23 Beekman Place, which were used to store Rudolph's work.<ref name="Institute o972" /> The enlarged duplex was completed in 2003,<ref name="nyt-2004-07-08" /> and the structure was known as the Modulightor Building by the next year.<ref name="NYCL p. 11" /> The duplex began hosting events as well.<ref name="NYCL (2025) p. 14" /> For example, Wagner opened his apartment to the public once a month starting in 2005,<ref name="p232261825" /> and [[Open House New York]] began hosting annual events there that year.<ref name="nyt-2005-10-09" /> The Rudolph Foundation also opened the building during the evenings starting in 2007, allowing people to view the lighting designs.<ref name="p229060699">{{Cite news |last=Kaufman |first=David |date=September 7, 2007 |title=Inside intrigues |work=Financial Times |page=1 |id={{pq|229060699}}}}</ref>
Mark Squeo designed an expansion of the building after Rudolph's death.<ref name="NYCL (2025) p. 14" /><ref name="Institute o972" /><ref name="Ginsburg 2024" /> He drew up plans for the fifth and sixth floors of the building starting in October 2007,<ref name="NYCL (2025) p. 14" /> using Rudolph's preliminary designs for a six-story building on the site.<ref name="Cereal d504" /><ref name="6sqft" /> Actual construction started {{Circa|2010–2011}}; the modifications largely adhered to Rudolph's drawings, with some modifications such as the removal of a triplex penthouse and the addition of balconies.<ref name="NYCL p. 11" /> Wagner evicted the Paul Rudolph Foundation after a disagreement in 2014, and he created a competing organization, the Paul Rudolph Heritage Foundation (later the Institute for Modern Architecture<ref name="Institute o972" />), which was headquartered at the building.<ref name="NYCL (2025) p. 14" /><ref name="Kasingsing i153">{{cite web | last=Kasingsing | first=Mel Patrick | title=Monument Man: Paul Rudolph Institute for Modern Architecture | website=Kanto
The [[New York City Landmarks Preservation Commission]] (LPC) designated the Modulightor Building's exterior as a
== Reception ==
The Modulightor Building initially received little notice from either the news media or architectural critics, who did not begin seriously reporting on the building until the 2000s.<ref name="NYCL p. 12" /> [[Joseph Giovannini]] of ''The New York Times'' wrote in 2004, "Like Italian architects carving Renaissance and Baroque facades to be revealed in Mediterranean light, Rudolph succeeded in suggesting depth within shallow dimensions."<ref name="nyt-2004-07-08" /> William Menking of the [[Architects' Journal|''Architects' Journal'']], writing the same year, regarded it as a "superb Modernist storefront" that dwarfed contemporary structures such as the [[Lescaze House]], the [[Rockefeller Guest House]], or even 23 Beekman Place in quality.<ref name="Architectural Press Limited 2004 p." /> ''[[Metropolis (architecture magazine)|Metropolis Magazine]]'' described the building's exterior as "an incredible lattice of mullions and frames",<ref name="Metropolis h651" /> while a critic for ''[[The Guardian]]'' characterized it as "a plexiglass and plasterboard palace that feels as if it might reconfigure itself at any moment".<ref name="Wainwright v727" /> Another writer described the Modulightor Building as "a light-filled jewel of a house, an artificial geode, so conceptually integrated that when you're inside the outside world seems ready to invade".<ref name="Devlin 2017 p. 230" />
The interior also received critical commentary. Giovannini wrote that "the triumph of the design is that Rudolph pulled off the kaleidoscopic complexity with wallboard and off-the-rack metal studs and joists",<ref name="nyt-2004-07-08" /><ref name=":0" /> while Menking said that the interiors were "a New York version of [[Sir John Soane's Museum]]" and that the design blurred the traditional boundaries between rooms, much like Frank Lloyd Wright's work.<ref name="Architectural Press Limited 2004 p." /><ref name="NYCL (2025) p. 13">{{harvnb|Landmarks Preservation Commission|2025|ps=.|page=13}}</ref> A [[Village Voice|''Village Voice'']] reporter wrote in 2005 that the interior of the duplex "offers a glimpse of what might have been if we hadn't gotten lazy and gone all reactionary with our houses", noting that its interlocking spaces were not child-friendly.<ref name="p232261825" /> ''The New York Times'' called it a "white-on-white wonder",<ref name="nyt-2005-10-09" /> while ''Metropolis'' likened the interior to a white-clad forest or cave.<ref name="Metropolis h651" /> ''[[Cereal (magazine)|Cereal Magazine]]'' characterized the interior as a "complex arrangement of solid planes and framed, negative spaces".<ref name="Cereal d504" /> Conversely, Martin Filler of ''[[The New York Review of Books]]'' described the design as a symptom of Rudolph's "incorrigible urge to overcomplicate things" in his later career, despite liking the architect's early work.<ref>{{cite web |last=Filler |first=Martin |date=July 22, 2020 |title=Martin Filler |url=https://www.nybooks.com/articles/2015/02/05/hard-case-paul-rudolph/ |access-date=May 22, 2025 |website=The New York Review of Books}}</ref><ref name="NYCL (2025) p. 17">{{harvnb|Landmarks Preservation Commission|2025|ps=.|page=17}}</ref>
== See also ==
* [[List of New York City Designated Landmarks in Manhattan from 14th to 59th Streets]]
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* {{official|http://modulightor.com/about/the-modulightor-building/}}
* [https://www.paulrudolph.institute/ Paul Rudolph Institute for Modern Architecture]
** [https://www.paulrudolph.institute/198801-modulightor Entry on the building]
{{Midtown East, Manhattan}}
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