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Line 118: ===Works cited=== {{Cite journal \|last1=Abdo \|first1=Abeer Hassan \|last2=Attia \|first2=Dr Marwa Adel \|last3=Amin \|first3=Esraa Mohammed Tawfik \|date=2023 \|title=The Integrated Relation between Advertising Content and Dramatic Performance Embodying the "Refugee Crisis" \|url=https://idj.journals.ekb.eg/article_288298.html \|journal=International Design Journal \|volume=13 \|issue=2 \|pages=75–100 \|doi=10.21608/idj.2023.288298 \|issn=2090-9632}} {{Cite journal \|last=Golomb \|first=Sariel \|date=2023 \|title=Channels Through the Humane: The Exiled Body in Crystal Pite's Flight Pattern \|url=https://muse.jhu.edu/pub/1/article/917480 \|journal=Theatre Journal \|volume=75 \|issue=3 \|pages=301–320 \|doi=10.1353/tj.2023.a917480 \|issn=1086-332X \|via=Project Muse\|url-access=subscription }} * {{Cite book \|last=Piquero Álvarez \|first=Lucía \|url=https://www.worldcat.org/oclc/1191456802 \|title=The Oxford Handbook of Contemporary Ballet \|date=2021 \|publisher=Oxford University Press \|isbn=978-0-19-087149-9 \|editor-last1=Farrugia-Kriel \|editor-first1=Kathrina \|editor-last2=Nunes Jensen \|editor-first2=Jill \|___location=New York, NY \|chapter=On Physicality and Narrative: Crystal Pite's ''Flight Pattern'' (2017) \|oclc=1191456802\|pages=457–473\|doi=10.1093/oxfordhb/9780190871499.013.27}}

Flight Pattern: Difference between revisions