Armonia jazz: differenze tra le versioni

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Riga 22:
There is variety in the chord symbols used in jazz notation. A jazz musician must have facility in the alternate notation styles which are used. The following chord symbol examples use C as a root tone for example purposes.
{|
!Simboli equivalenti|| ||Toni dell'accordo nella chiave di esempio|| ||Nome || Ascolto
!Equivalent symbols||||Chord tones in example key||||Name || Audio
|-
|DoΔ, DoM7, Domaj7||||Do Mi Sol Si||||accordo di settima maggiore || {{Audio|Major seventh chord on C.mid|Play}}
Riga 43:
The jazz chord naming system is as deterministic as the composer wishes it to be. A rule of thumb is that chord alterations are included in a chart only when the alteration appears in the melody or is crucial to essence of the composition. Skilled improvisers are able to supply an idiomatic, highly altered harmonic vocabulary even when written chord symbols contain no alterations.
 
It is possible to specify chords with more than four notes. For example, the chord CDo-Δ9 contains the notes (CDo Mi{{Musica|alterazione|b}} Sol Si D).
 
==Melodic Minor Scale==