Armonia jazz: differenze tra le versioni

Versione delle 07:49, 3 mar 2024

Versione delle 08:40, 3 mar 2024

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The authentic [[cadence (music)|cadence]] (V-I) is the most important one in both classical and jazz harmony, though in jazz it more often follows a ii or II chord serving as [[predominant]]. To cite Rawlins and Bahha, as above: "The ii-V-I [progression] provides the cornerstone of jazz harmony"<ref name="Rawlins 2005" />

The [[ii-V-I]] ({{Audio|Ii-V-I without subV.ogg|Play ii-V-I}}) may appear differently in major or minor keys, ''m7''-''dom''-''maj7'' or ''m7{{musicMusica|alterazione|b}}5''-''dom{{musicMusica|alterazione|b}}9''-''minor''.<ref name="Spitzer 2001" />

Other central features of jazz harmony are diatonic and non-diatonic reharmonizations, the addition of the V7(sus4) chord as a dominant and non-[[dominant (music)|dominant functioning chord]], major/minor interchange, [[blues]] harmony, [[secondary dominant]]s, [[extended dominant]]s, [[deceptive resolution]], related ii-V7 chords, [[direct modulation]]s, the use of [[contrafacts]], [[common chord modulation]]s, and dominant chord modulations using ii-V progressions.