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{{Love table}}
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But romance is, or has become, the spirit of postmodernity, and its criteria include fashion and irony. Wit or irony ecompass the inherent instability of romance, fine-tuned to its late modern peculiarities.<ref>This phenomenon is expressed perhaps in popular culture as "throwing game." In Marxism the romantic might be considered an example of alienation.</ref> The conflict between romance's individuality and its framework of [[jealousy]] is dealt with by [[Rene Girard]]. In its independent mode it tends to be a tragic region lying somewhere between on the one hand an ethical, and on the other hand an aesthetic (or possibly debauched) life, combining significance with [[ennui]].
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