Open Science for Arts, Design and Music/Report/Report 2022: Difference between revisions

Revision as of 12:46, 26 January 2023

Revision as of 12:53, 26 January 2023

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===Changes from the original proposal===

The calendar presented in the original application has undergone minimal modifications that lead to a delay in the delivery of the guidelines (foreseen according to the initial plan in December 2022 and postponed to 2023). The delay in the publication of the guidelines to 2023 was however compensated by the early organisation of the activities planned for 2023 (training) and 2024 (publishers). In particular, 3 training events have already taken place on the occasion of the Hackathon-GLAMHACK 2022 and most of the activities to be carried out next year have been programmed in detail. Overall, the project has not undergone any substantial changes that could jeopardise its actual success.

===General remarks===

We would like to highlight the setting up and development of an '''international network''', in particular:

* the partnership with Dariah-EU has led to the co-application to Chist-ERA funds with the submission of a research project in co-participation with IBL PAN (Institute of Literary Research of the Polish Academy of Sciences / Centre for Digital Humanities, Poland) and CNRS (Laboratory of Supramolecular and Macromolecular Photophysics and Photochemistry, France) entitled "SHARE CH Data - Sustainable Workflows for Turning Cultural Heritage Data Into Open Research Data" which (if the application is successful) is planned to start in 2024 for a duration of two years.

* we are developing further the collaboration with OpenGLAM CH that was initiated on the occasion of the Hackathon-GLAMHACK 2022; the partnership should lead to an involvement of the project in the Hackathon-GLAMHACK 2023 at the MEG - Musée d'ethnographie de Genève in the form of a series of training events around ethical issues such as decolonisation and cultural appropriation in the context of open access.