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K.S. Ernst ([ksernst.com])has been writing poetry, making art, and creating visual poetry works for over 40 years. [http://library.osu.edu/sites/rarebooks/finding/ernst.php] Some of the most interesting implications, of K.S. Ernst’s artwork are how it reads as [[Creative Non-Fiction]], and [[Visual Poetry]]/Visual Fiction. When the story of Creative Non-Fiction and Visual Poetry is told in the United States, works by K.S. Ernst are imperative to that telling. Poetry Magazine ([www.poetrymagazine.org]), published by the Poetry Foundation in Chicago, will feature Visual Poetry in its November issue. When published, K.S. Ernst’s art will be on newsstands nationwide. For now, Ernst calls herself a “visio-textual artist,” who hopes that really great art is not judged by the neatness of the category in which it fits. (Interview, Amy Hufnagel)
Born in St Louis, MO, USA (1946- ), she is the daughter of a mother visual artist/furniture builder and father who was a Professor of Psychology with an expertise in auditory and [[cutaneous communications]] Please review at [http://www.tactileresearch.org/pucclabs/carl.html]. She has two sisters. Her parent’s academic work took Ernst from St. Louis, MO, to Charlottesville, VA, to Princeton, NJ, at each place’s best institution. She spent her first year of college at Smith College and then married Ernie Ernst, a successful manufacturer, collector, jazz musician, and nature lover. K.S. Ernst graduated from Monmouth University and has spent her adult life living in New Jersey.
While Ernst is best known as one of the most important examples of late twentieth-century/early twenty-first century female visual poets in America, she is also known in the digital arts and fine arts communities. Ernst’s work is applicable to the genres of sculpture, multimedia, works on paper, and new digital works. Her work has critical applicability to art historical discussions regarding late twentieth-century use of image and text, or perhaps more succinctly the “text as image” trend as seen in important contemporary artists like Xu Bing.
Ernst’s art is the logical manifestation of text in verbal and visual art forms in American Modernism; the trend of using text in art continues through the didactic identity and political work of the 1980s and 90s. But Ernst is a counterpoint to say Barbara Kruger and Jenny Holzer; Ernst is more along the lines of Carrie Mae Weems’s poetics and folkloric pieces, or parallel to Richard Kostelanetz’s abstract text constructs. She also employs impressive Fluxist characteristics in her book arts and performance art, as seen in her work with the Be Blank Consort,and here another rooting in fine art traditions is applied to K.S. Ernst’s use of text. In short, K.S. Ernst makes artwork that is the analysis/play of the concept “text as image;” and this study has a tradition in art history. Visual poetry is a genre of visual expression, as well as a category of poetic study. It is born from the act of writing poetry, but slips between discipline areas because the practice uses the language of visual art to “write.” Often the text becomes symbolic and iconic representation; one writes/experiments with letters, words, images, and space.
As an artist, Ernst moves from sculpture to computer technologies employing a variety of manual/sculptural and technological methodologies in her work. Ernst began using computer technologies in her work in the 80s and the computer has factored as a major tool in her creative process and output; this timeframe, in computer art history, places her at the forefront of digital file making.
Writes critic Karl Young, “Her earliest visual poetry, from the late 1960s, began with spatial exploration of text, primarily playing on negative space in relation to constellations and clusters of letters ... usually relating to the sensuality of stroke segments and junctures.” Her current work uses digital printing on silk, organza, and denim in multi-layered visual texts with painting and fiber manipulation. Ernst writes, “I have ventured into visual, rather than rhythmic, aspects of a poem.” And, “I make poems in forms other than books” so that one can not “shut the book on my storytelling.”
Texts like The Aesthetics of Visual Poetry, 1914-1928 by Willard Bohn and the “monstrous anthologies like those of Solt and Williams” cite that those “who have continued the art (of visual poetics) have become more dedicated and have greatly expanded the medium, keeping it one of the most vital and inventive directions in contemporary poetry” says Karl Young of Kaldron On-Line in1998 ([http://www.thing.net/~grist/l&d/lighthom.htm]). K.S. Ernst is a primary, critical example of a woman artist coming of age in this vibrant poetic expression, and remaining committed to artistic practice for years. She is one of the best examples of late twentieth century/early twenty first century female visual poets in America. (The genre of visual poetry can be easily researched [http://dbqp.blogspot.com]; here one will find a great starting point if the genre of visual poetry - and relating concrete poetry - is to be considered.)
“Cheat Sheet Chronology”
In the 1970s K.S. Ernst began to make workbooks of pieces she thought up (now numbering over 1000), and then began building pieces. She made truly fascinating and playful sculptural word constructions.
In the 1980s Ernst made work, exhibited, read, and used the computer.
In the 1990s the same work continued; plus, she created a working archive of her entire collection, housed Ohio State University Libraries, Rare Books and Manuscripts Avant Writing Collection
In 2000 Ernst continued to learn new soft- and hard-ware and experiment with different artistic processes. She formalized her practice of collaborating with other poets as a “production and inspiration model.” Institutions and collectors are acquiring her work, and she continues to remain committed to art making and thinking.
K.S. Ernst creatively and fiscally manages Press Me Close where she published visual poetry postcards and T-shirts [Add: “in the 1980s.”] Her work has been published extensively in books and magazines. She has shown her work nationally and internationally for years, and is included in many important art collections. Ernst has also participated in artist residencies, lectures, and performances. Below is a list of these resources.
Quote from K.S. Ernst "I am interested in words and letters as symbols — their basic symbolic makeup as well as their representational use. Thus it is words and letters that form a common thread throughout my work. I work in a variety of media including collage, fiber, painting, sculpture, assemblage, and installations."
== See also ==
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