1632 plot threads: Difference between revisions

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'''1632 plot threads''' refers to the complex mix of overall story arches or sequences within the best selling [[alternate history]] series [[1632 series|''Ring of Fire'']], which grew rapidly from a stand-alone novel ({{[[1632}} (novel)|1632]]) to published works numbering in the high teens as of October 2007—and most of that since 2004. This article will attempt to survey the general meaning of the term ''plot threads'' within the series and on the very active [[Baen's Bar]] web discussion forums related to the series, in particular, [[1632 Tech Manual]] which is the sub-forum where many of the details of the [[shared universe]] mega-series have been hammered out, researched and reported on to other participants.

==Approaches==

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==Messy history==

"Real history is messy," Flint has written in the foreword to {{ROF-1}}[[Ring of Fire (anthology)|Ring of Fire]] in explaining why he took the unusual step of opening a universe consisting of a single novel at the time into a shared universe. A champion of the common man, Flint disdains the "Strong Man theory of History", where big figures of heroic scope define events, but instead lays claim throughout the entirety of works in the series, that history is the small actions of common men acting in their own self-interest who in the aggregate determine historical forces and force events and responses from those in power, who might lay some claim to being a giant of history—the statesmen and power brokers who dot the [[I]]'s and cross the [[T]]'s and add occasional curlicues to the historic march of events—riding the torrent far more often than leading it in Churchillian or Rooseveltian fashion. That some persons of that mold have existed is not disputed, but that the narrative report that makes up historical reporting tends to overstate their impact and role, is Flints theme.

==Plot threads==

No matter what approach one takes to classifying a plot sequence in the series—be it geographical or character based—the key element of the series to comprehend is that the events depicted in its now voluminous works are not taking place in a vacuum, but in most cases are concurrent with developments in other parts of the European center. Indeed, in an October 2007 announcement on his web site, Flint announced an agreement that the three joint books (under contract since 2002) with best selling author [[David Weber]] will take place in a '''Naval thread''', indicating the Eurocentric focus of the series, at least taken with some expressed interest by [[Michael Stearns]] to curtail slave trading before it builds up steam, will likely create settings well outside Europe as the technologically advanced naval capabilities of the [[United States of Europe (1632 series)|United States of Europe]] give it a reach not available to the average European power, even if it resorts to sailing ships over oceanic distances where the {{[[1632 institutions#Grantville Emergency Committee|Emergency Committee}}]] and [[1632 institutions#New United States|New United States]] authorities were careful to hide key portions of their library resources in order to maintain a technological edge as they "gearing down".

===Geographical threads===

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====Eastern European thread====

The Eastern European thread is taken to be east of the East_Central_European_thread, the later of which may be understood as the base line through eastern parts of modern day Germany, Austria, western [[Hungary]]. The first fiction written within these theatres was the novelette {{ROF-1[[Ring of Fire (anthology)#"The Wallenstein Gambit"|s="The Wallenstein Gambit"}}]] and the prequel short stories leading up to it, all published in {{ROF-1}}[[Ring of Fire (anthology)|Ring of Fire]] but subsequent long fiction planned in the setting had to await authors scheduling issues, so the plot begun by Flint and finished in outline took a back seat to southern, western and central European events which both had ready collaborating authors and themes of their own to explore in the neohistory. So in June 2006, the writing team of {{16writ|Paula|Goodlett}} and {{16writ|Gorg |Huff }} cracked the Eastern European barrier in {{GG08|IN="Butterflies in the Kremlin, Part 1: A Russian Noble"}} when they began the series action in [[Tsar]]ist [[Russia]] in the sometimes comic, sometimes serious serialized novel [[Butterflies in the Kremlin]], which is part adventure, part romance and part spy story. In action to date, an uptime American has moved to Moscow, scandalized the elite of the society, ticked off the bureaucracy and much of the nobility, and helped fight a battle and win it with Poland. Meanwhile the Prince-spy in Grantville has fallen for an American girl (both a commoner and a non-virgin) and as of {{GG18}}[[Grantville Gazette XVIII]] are getting married, which is a big deal back in the society of old [[Moscovy]], where the church and the nobility hasn't quite come to grips with a changing world and after a century, half of them still haven't noticed that the grand-duchy has become the [[Tsardom of Russia]].

=====East Central European thread=====

{{dablink|Main article: [[#Eastern European thread|Eastern European thread]] (just above)}}

Other works that can be characterized in the setting are parts of the novel {{34TBC}}[[1634: The Bavarian Crisis]] and the forthcoming sequels {{35SoB}}[[1635: Soldier of Bohemia]] (long delayed while resolving the demanding schedules of Flint and [[David Weber]]— which delayed the whole series for several years as the {{34TBW}}[[1634: The Baltic War]] sequel would have been adversely affected.) and {{35TEF}}[[1635: The Eastern Front]] are also believed to be set in the Eastern or East Central threads. Beginning in September 2007 Flint began the ongoing serialization of the [[The Anaconda Project]] novel which continues from where ''The Wallenstein Gambit'' left off beginning in the [[Kingdom of Bohemia]] in [[Prague]] with discussions in the early chapters about acting militarily and politically (by local [[1632 institutions#Committees of Correspondence|CoCs]]) in the east ([[Silesia]] and other outlying areas of southern [[Poland-Lithuania Commonwealth]]).

The original "working title" of ''Soldier of Bohemia'' was ''1635: King of Bohemia'', and that title and clues revealed in {{34TBC}}[[1634: The Bavarian Crisis]], which in the most part geographically can be laid in this regional setting. The solo Flint novel, [[The Anaconda Project]] (Serialized to date solely in [[the Grantville Gazettes]]) is also in the setting, and is believed to be the prequel to Soldier of Bohemia which it is speculated, will center its action on the reactions of the new king of Austria-Hungary, Ferdinand III of Austria, and his attack on Wallenstein even as he makes peace with Gustavus and the [[United States of Europe (1632 series)|United States of Europe]], or not. That coming conflict has been foreshadowed in three separate works: The Bavarian Crisis, Flint's tale in {{ROF-2}}[[Ring of Fire II]], and in the Anaconda Project itself, where Wallenstein is strong arming the popular accidental-hero (part of ''The Wallenstein Gambit'') {{16char|Morris|Roth}} into becoming a general and heading up his army and plans in the east for he and Pappenheim expect to be busy in the south with {{16CHAR|Ferdinand III|Austria|p=Ferdinand III of Austria}}'s armies.

====Southern European thread====

The "Southern European thread", or "Western South Europe and South Central European thread", or perhaps more appropriately, the "South-central and southwestern European thread" involves characters introduced in the short story {{ROF-1[[Ring of Fire (anthology)#"To Dye For"|s="To Dye For"}}]] by [[Mercedes Lackey]] but the thread plot action proper kicked off in the second published novel sequel of the series, the best selling ''{{34TGA}}[[1634: The Galileo Affair]]'' and its direct sequel, ''{{35TCL}}[[1635: The Cannon Law]]'', both co-written by Flint and [[Andrew Dennis]]. The main characters are in part, Lackey's {{16char|s=The Stone Family}}, combined with Flint's {{16char|Sharon|Nichols}} and {{16char|Larry|Mazarre}}.

====Naval thread====

{{dablink|This section is a distillation in synopsis form of what is known about the authors planning from web fora posts and their websites.<br />''It is about a future or forthcoming thread of action, though one well founded on the naval actions in the novels ''1633'' and ''1634: The Baltic War'', which have set the table. The later work also foreshadows a planned "screw-powered frigate" class of ships under development in {{16plac|Magdeburg}} by [[Admiral]] {{16char|John Chandler|Simspon|p=John Simpson}}<ref>{{Cite 34TBW|long=yes|last=Weber|first=David|pp=|q=}}</ref>}}

Busy best selling authors [[David Weber]] and [[Eric Flint]] in 2002 (writing ''{{[[1633}} (novel)|1633]]'' and {{ROF-1}}[[Ring of Fire (anthology)|Ring of Fire]]) originally contracted together and with [[Baen's Books]] to co-write the five [[#Plot threads|"main series"]] books. When working on the long delayed {{34TBW}}[[1634: The Baltic War]] novel and with the prolonged and ongoing demand for the series sequels, and considering the already experienced delays imposed by the difficulty of getting schedules between themselves synchronized (It took three planned "windows-of-opportunity" before one worked in ''The Baltic War'') well enough for the two to have the three to six months or so needed to collaborate successfully given the attention-to-detail needs, general reasonableness, and characteristic "historical accuracy" imposed by Flint from the beginning<ref name="TheBeginning">{{Cite web|title=How it all started (Baen Bar Authors forum post 2 March 1999)|accessdate=2008-06-12|url=http://homepage.mac.com/msb/163x/faqs/how_it_started.html|quote={{I}}I'm posting a new topic in a shameless bid to enlist aid and assistance in my next book. Y'all understand this is a serious and solemn project and there'll be none of the usual badinage, disrespect, wild-eyed-opinion-spouting, surly remarks and the other stuff that routinely transpires in the Bar. (Yeah, sure. And pigs will fly.){{I2}}

OK, here's the problem. The novel I'm starting on, Fire in the Hole, requires a wide range of knowledge to write properly. Some of that I have (the history of the period, for instance). Some I can get, from friends. But some of it requires me to scramble like a monkey. Any help I can get will be appreciated.{{I2}}