Discussione:Papa Pio XII: differenze tra le versioni
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James Carroll is a noted author, historian and journalist and Roman Catholic dissident. Carroll has been a Shorenstein Fellow at the Kennedy School of Government at Harvard University and a Fellow at the Center for the Study of Values in Public Life at the Harvard Divinity School. He is a trustee of the Boston Public Library, a member of the Advisory Board of the International Center for Ethics, Justice, and Public Life at Brandeis University, and a member of the Dean's Council at the Harvard Divinity School. Carroll is a Fellow of the American Academy of Arts and Sciences, and is a member of the Academy's Committee on International Security Studies. He worked on his 2006 history of the Pentagon, House of War, as a Scholar-in-Residence at the Academy. Carroll is also a Distinguished Scholar-in-Residence at Suffolk University in Boston, where he wrote his latest book, Practicing Catholic, published in 2009.
Hitler's Pope: The Secret History of Pius XII is a devastating account of the ecclesiastical career of Eugenio Pacelli (1876-1958), who became Pope Pius XII in 1939, is all the more powerful because British historian John Cornwell maintains throughout a measured though strongly critical tone. After World War II, murmurs of Pacelli's callous indifference to the plight of Europe's Jews began to be heard. A noted commentator on Catholic issues, Cornwell began research for this book believing that "if his full story were told, Pius XII's pontificate would be exonerated." Instead, he emerged from the Vatican archives in a state of "moral shock," concluding that Pacelli displayed anti-Semitic tendencies early on and that his drive to promote papal absolutism inexorably led him to collaboration with fascist leaders. Cornwell convincingly depicts Cardinal Secretary of State Pacelli pursuing Vatican diplomatic goals that crippled Germany's large Catholic political party, which might otherwise have stymied Hitler's worst excesses. The author's condemnation has special force because he portrays the admittedly eccentric Pacelli not as a monster but as a symptom of a historic wrong turn in the Catholic Church. He meticulously builds his case for the painful conclusion that "Pacelli's failure to respond to the enormity of the Holocaust was more than a personal failure, it was a failure of the papal office itself and the prevailing culture of Catholicism."
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