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Riga 16:
Essa trae il nome da degli avvoltoi rappresentati in una delle diverse scene di battaglia che raffigura, assieme a scene religiose. La [[stele]] fu inizialmente scolpita su un unico blocco di pietra calcarea, sebbene oggigiorno sono noti solo sette frammenti, attualmente esposti al [[Musée du Louvre|Louvre]].
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I primi tre frammenti furono ritrovati durante degli scavi a [[Girsu|
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The complete monument, as reconstructed and now in display in the Louvre, would have been {{convert|1.80|m}} high, {{convert|1.30|m}} wide and {{convert|0.11|m}} thick and had a rounded top. It was made out of a single slab of [[limestone]] with carved reliefs on both sides.<ref name=winter>{{cite book |last1=Winter |first1=Irene J. |editor1-first=Herbert L. |editor1-last=Kessler |editor2-first=Marianna Shreve |editor2-last=Simpson |title=Pictorial Narrative in Antiquity and the Middle Ages |series=Center for Advanced Study in the Visual Arts, Symposium Series IV |volume=16 |year=1985 |publisher=National Gallery of Art |___location=Washington DC |issn=0091-7338 |pages=11–32 |chapter=After the Battle is Over: The 'Stele of the Vultures' and the Beginning of Historical Narrative in the Art of the Ancient Near East }}</ref> The stele can be placed in a tradition of mid- to late-third millennium BC southern [[Mesopotamia]] in which military victories are celebrated on stone monuments. A similar monument is the Victory Stele of [[Naram-Sin of Akkad|Naram-Sin]], created during the [[Akkadian Empire|Akkadian period]] that followed on the Early Dynastic III period.<ref>{{cite book |title=Ancient Mesopotamia. The Eden that Never Was |last=Pollock |first=Susan |year=1999 |publisher=Cambridge University Press |___location=Cambridge |isbn=978-0-521-57568-3 |series=Case Studies in Early Societies |page=181}}</ref>
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