Revision as of 12:58, 12 November 2014 edit MegA (talk \| contribs) 2,994 edits →gliding the bow along the string (instead of perpendicular bowing): new section ← Previous edit		Revision as of 13:03, 12 November 2014 edit undo MegA (talk \| contribs) 2,994 edits →gliding the bow along the string (instead of perpendicular bowing) Next edit →
Line 6: == gliding the bow along the string (instead of perpendicular bowing) == I noticed this technique in Lachenmann's (who else ;-) "The Little Match Girl". The bow is moved with the hair pressed on the string as in regular bowing, but gliding along the string instead of perpendicular to it. With strong pressure, the sound is a "hideous" croaking glissando, especially on celli and basses. (I suppose this isn't exactly healthy for the bow) I don't see this technique mentioned in the article. (Note that this is not "scratch tone", which is produced by bowing perpendicular to the string!) -- [[User:MegA\|megA]] ([[User talk:MegA\|talk]]) 12:58, 12 November 2014 (UTC)

Talk:Bowed string instrument extended technique: Difference between revisions