「黄金の床几」の版間の差分
削除された内容 追加された内容
編集の要約なし |
|||
26行目:
Along the way, Heisenberg and Bohr "draft" several versions of their 1941 exchange, arguing about the ramifications of each potential version of their meeting and the motives behind it. They discuss the idea of nuclear power and its control, the rationale behind building or not building an [[atomic bomb]], the uncertainty of the past and the inevitability of the future as embodiments of themselves acting as particles drifting through the [[atom]] that is Copenhagen.
==
In most dramatic works where the characters are based on real people, there is a point at which the character deviates from the real person. Michael Frayn works to keep this distinction as small as possible. Having studied memoirs and letters and other historical records of the two physicists, Frayn feels confident in claiming that "The actual words spoken by [the] characters are entirely their own." With that in mind, the character descriptions apply to both the representative characters as well as the physicists themselves. There is a great amount known about all of the primary characters presented in Copenhagen; the following includes those bits of information which are directly relevant and referenced in the work itself.<ref>Much of the above is based on ''Biographies of Persons in Copenhagen'', compiled by Harry Lustig</ref>
| |||