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Riga 58:
Throught the grand staircase to the first floor, we could admire a big fresco "Arts and crafts" by Max Squillace, Franco Ghezzi and Gian Mario Mariani. In the wall painting are depicted culture, family, field works and factory works, man's aggressiveness. Field works are rappresented by a man with plough and oxes. Field works were the first economic richness's source which then were displaced by factory, technology and industry mechanization. Family, in a social context, is depicted by a man who gives to a woman, layed down on the big hand of earth mother, a wheat seed as fecundity's sign. Figure contained in a globe are representing culture. This bodies, in all their beauty, strongly statuesque, are stirred, as getting out of the structure in which they are put, to show that culture isn't about few elected people but an interchangeable property. At last a man that symbolizes the aggressiveness which is inside of us and we should "take it ou" to create something new and maybe a new world. In the middle, as show the bond of all these with the city, there is the eown's coat of arms<ref>Brugherio - Notiziario Comunale - gennaio 1979</ref>.
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[[File:Parco di Villa Fiorita - Brugherio.JPG|thumb|Parco di Villa Fiorita|left]]
The first historical informations about this park go back to eighteen century, when it was just a little garden annexed to count Ottaviano Scotti's mansion.
In the second half of the nineteenth century it was enlarged and transformed into a classic romantic garden. We could see the typical elements of the informal park: man-made hill, sinuous paths, irregular arboreous setting, the rocailles to delimit flower-beds and the avenues and the fence.
The arboreous assets count more than 600 specimen formed not just by hackberries and yew trees, but also by cedars, horse chestnuts, beeches, ginkos, maples, elms and robinias.
[[File:Serra De Pisis.JPG|thumb|312x312px|La Serra de Pisis.]]
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