Content deleted Content added
Wavelength (talk | contribs) correcting spelling—wikt:precedence—wikt:precedent—http://www.dailywritingtips.com/precedent-vs-precedence/ |
m →Bogart's and Landau's Viewpoints: Per consensus in discussion at Talk:New York#Proposed action to resolve incorrect incoming links using AWB |
||
Line 35:
==Bogart's and Landau's Viewpoints==
In their book, ''The Viewpoints Book: A Practical Guide to Viewpoints and Composition'', [[Anne Bogart]] and [[Tina Landau]] identify the primary Viewpoints as those relating to Time - which are Tempo, Duration, Kinesthetic Response, and Repetition - and those relating to Space - which are Shape, Gesture, Architecture, Spatial Relationship and Topography. In addition, Bogart and Landau have added the [[Vocal]] Viewpoints which include [[Pitch (music)|Pitch]], [[Dynamics (music)| Volume]], and [[Timbre]].<ref>Bogart, Anne. 2005. ''[[The Viewpoints Book]]''. [[New York City]]: [[Theatre Communications Group]]. ISBN 978-1-55936-241-2.</ref> In the book, the authors outline the basics of the Viewpoints training they both espouse as well as specific methods for applying the Viewpoints to both rehearsals and production. For Bogart and Landau, the Viewpoints represent not only a physical technique but also a philosophical, spiritual, and aesthetic approach to many aspects of their work. Bogart references her work with the [[SITI]] company, and Landau with the [[Steppenwolf Theater Company]].
Bogart recognizes that these are not the only '''Viewpoints''', just the ones she finds most useful for the [[actor]]s with whom she works.
| |||