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'''Progressive segmented Frame''' (PsF, sF, SF) is a scheme designed to acquire, store, modify, and distribute [[progressive scan]] video using [[interlaced]] equipment
With PsF, a progressive frame is divided into two ''segments'', with the odd lines in one segment and the even lines in the other segment. Technically, the segments are equivalent to interlaced ''fields'', but unlike native interlaced video, there is no motion between the two fields that make up the video frame: both fields represent the same instant in time. This technique allows for a progressive picture to be processed through the same electronic circuitry that is used to store, process and route interlaced video.
The term ''progressive segmented frame'' is used predominantly in relation to [[high-definition video|high definition]] video. In the world of [[standard definition]] video, which traditionally has been using interlaced scanning, it is also known as ''quasi-interlace''<ref name="POYNTON_DVANDHDTV_P62">{{cite book|url=https://books.google.com/books?id=ra1lcAwgvq4C&pg=RA1-PA62&sig=8ZAl0RqzUYnyxQSmjxiIw4ZJDbE|title=Charles Poynton, Digital Video and HDTV: Algorithms and Interfaces}}</ref>
The PsF technique is similar to [[Telecine#2:2 pulldown|2:2 pulldown]], which is widely used in 50 Hz television systems to broadcast progressive material recorded at 25 frame/s, but is rarely used in 60 Hz systems. The 2:2 pulldown scheme had originally been designed for interlaced displays, so fine vertical details are usually filtered out to minimize ''[[interline twitter]]''. PsF has been designed for transporting progressive content and therefore does not employ such filtering.▼
▲The term ''progressive segmented frame'' is used predominantly in relation to [[high-definition video|high definition]] video. In the world of [[standard definition]] video, which traditionally has been using interlaced scanning, it is also known as ''quasi-interlace''<ref name="POYNTON_DVANDHDTV_P62">{{cite book|url=https://books.google.com/books?id=ra1lcAwgvq4C&pg=RA1-PA62&sig=8ZAl0RqzUYnyxQSmjxiIw4ZJDbE|title=Charles Poynton, Digital Video and HDTV: Algorithms and Interfaces}}</ref> or ''progressive recording''.<ref name="DCR-HC36/HC46/HC96 OG PR">{{cite web|url=http://www.docs.sony.com/release/DCRHC36-46-96.pdf |title=DCR-HC36/HC46/HC96 Operating Guide |publisher=Sony Corporation |year=2006 |accessdate=2010-08-11}}</ref>
== History ==
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PsF became a means of initial image acquisition in professional Sony video cameras. It is employed in [[HDCAM]] and [[XDCAM]] video cameras, including the HDW-F900 [[CineAlta]] camera which was used by [[George Lucas]] for creating [[Star Wars: Episode II – Attack of the Clones|Star Wars, Episode 2]], and by [[Alexander Sokurov]] for creating [[Russian Ark]] fully in the digital ___domain.
== Similar technologies ==
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===PALplus Movie Mode (TV broadcast) ===
[[PALplus]] utilizes a digital stream embedded in the interlaced [[analog TV]] signal called [[widescreen signaling]], which, among other data, describes whether the signal should be treated as interlaced ("Camera Mode") or progressive("Movie Mode).<ref name="WSS"/>
===Video recorders===
In frame shutter mode, a camera acquires 30 ([[NTSC]]) or 25 ([[PAL]]) independent images per second. These images are output as 60 (NTSC) or 50 (PAL) interlaced fields. The result is a progressive-scan signal, which is also compatible with traditional interlaced scanning systems.▼
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{{quotation|'''Note on the progressive recording mode'''
The booklet for the 50 Hz ("PAL") Sony DSR-PD175P camcorder describes its progressive recording mode as follows:
{{quotation|'''Progressive Scan Mode'''
Consumer camcorders as well as most professional camcorders do not use PsF to record 24-frame/s video; instead they either record it natively in progressive form or apply [[Telecine#23pulldown|2:3 pulldown]].
Most video formats including professional ones utilize [[chroma subsampling]] to reduce amount of [[Chrominance|chroma]] information in a video, taking advantage of the human visual system's lower acuity for color differences than for luminance.<ref>
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