Talk:Mozart's compositional method: Difference between revisions

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-Simon Cleveland. <span style="font-size: smaller;" class="autosigned">—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[Special:Contributions/71.177.249.74|71.177.249.74]] ([[User talk:71.177.249.74|talk]]) 18:35, 15 April 2009 (UTC)</span><!-- Template:UnsignedIP --> <!--Autosigned by SineBot-->
 
 
The observation of Adam has to do with a partial view about the process of composition. I learned "traditionally" harmony and counterpoint "at the table". I also can do it and wrote indeed many arrangements on the go, before the rehearsal. But after studying in France, I went to Germany and studied church music. And enlarged my views studying for me historical pedagogy of music. There in german church music and more typically before 1850, the composition was direved from improvisation, generally at the organ. There are many advantages to know compose on the spot at the keyboard, and generally speaking composers before this date learnedd composing at the harpsichord then the organ. [[Special:Contributions/186.31.218.229|186.31.218.229]] ([[User talk:186.31.218.229|talk]]) 16:04, 24 January 2017 (UTC)
 
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