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m →Counter parallel: , p.xiii |
<ref name="Gjerdingen"/> |
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Line 27:
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|Tp
|A minor<ref name="Gjerdingen">Gjerdingen, Robert O. (1990). "A Guide to the Terminology of German Harmony", Studies in the Origin of Harmonic Tonality by Dahlhaus, Carl, trans. Gjerdingen (1990), p.xiii. Princeton University Press. ISBN 0-691-09135-8.</ref>
|Submediant
|tP
|E{{music|flat}} major<ref name="Gjerdingen"/>
|Mediant
|-
|Sp
|D minor<ref name="Harmony"/><ref name="Gjerdingen"/>
|Supertonic
|sP
|A{{music|flat}} major<ref name="Gjerdingen"/>
|Submediant
|-
|Dp
|E minor<ref name="Material"/><ref name="Harmony"/><ref name="Kober"/><ref name="Kalamajski"/><ref name="Gjerdingen"/>
|Mediant
|dP
|B{{music|flat}} major<ref name="Material"/><ref name="Harmony"/><ref name="Gjerdingen"/>
|Subtonic
|}
Line 85:
|-
|Tl (Tcp)
|E minor<ref name="Gjerdingen"/>
|Mediant
|tL (tCp)
|A{{music|flat}} major<ref name="Gjerdingen"/>
|Submediant
|-
|Sl (Scp)
|A minor<ref name="Gjerdingen"/>
|Submediant
|sL (sCp)
|D{{music|flat}} major<ref name="Gjerdingen"/>
|Supertonic
|-
|Dl (Dcp)
|B minor<ref name="Gjerdingen"/>
|Leading-tone
|dL (dCp)
|E{{music|flat}} major<ref name="Gjerdingen"/>
|Mediant
|}
Line 112:
:Minor Leittonwechselklänge, formed by raising the root (US)/fifth (German) a half step.
If chords may be formed by raising (major) or lowering (minor) the fifth a whole step [ [[parallel chord|parallel]] or relative chords], they may also be formed by lowering (major) or raising (minor) the root a [[half-step]] to ''wechsel'', the [[leading tone]] or ''leitton''. These chords are ''Leittonwechselklänge'' (literally: "leading-tone changing sounds"), sometimes called '''''gegenklang''''' or "contrast chord".
For example, Am is the tonic parallel of C, thus, Em is the counter parallel of C. The usual parallel chord in a major key is a minor third below the root and the counter parallel is a major third above. In a minor key the intervals are reversed: the tonic parallel (e.g. Eb in Cm) is a minor third above, and the counter parallel (e.g. Ab in Cm) is a major third below. Both the parallel and the counter parallel have two notes in common with the [[Tonic (music)|tonic]] (Am and C share C & E; Em and C share E & G).
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