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→Counter parallel: {{Quote|This is clearly not a simple system. Three functional categories can appear in any one of three chordal guises in either of two modes, eighteen possibilities in all: T, Tp, Tl, t, tP, tL, S, Sp, Sl, s, sP, sL, D, Dp, Dl, d, |
m →top: [[]] |
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Line 28:
|Tp
|A minor<ref name="Gjerdingen">Gjerdingen, Robert O. (1990). "A Guide to the Terminology of German Harmony", Studies in the Origin of Harmonic Tonality by Dahlhaus, Carl, trans. Gjerdingen (1990), p.xiii. Princeton University Press. ISBN 0-691-09135-8.</ref>
|[[Submediant]]
|tP
|E{{music|flat}} major<ref name="Gjerdingen"/>
Line 35:
|Sp
|D minor<ref name="Harmony"/><ref name="Gjerdingen"/>
|[[Supertonic]]
|sP
|A{{music|flat}} major<ref name="Gjerdingen"/>
Line 42:
|Dp
|E minor<ref name="Material"/><ref name="Harmony"/><ref name="Kober"/><ref name="Kalamajski"/><ref name="Gjerdingen"/>
|[[Mediant]]
|dP
|B{{music|flat}} major<ref name="Material"/><ref name="Harmony"/><ref name="Gjerdingen"/>
|[[Subtonic]]
|}
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