Revision as of 14:16, 18 October 2018 edit Isaidnoway (talk \| contribs) Extended confirmed users 70,411 edits →Therapeutic application: bundle ← Previous edit		Revision as of 14:30, 18 October 2018 edit undo Isaidnoway (talk \| contribs) Extended confirmed users 70,411 edits →Stages: bundle ridiculous amount of cites Next edit →
Line 62: {{See also\|Closed-eye hallucination}} According to the computational theory of imagery,<ref>Kosslyn, S. M., Image and mind. Cambridge, Massachusetts: Harvard University Press, 1980.</ref><ref>Kosslyn, S. M. (1987). Seeing and imagining in the cerebral hemispheres. A computational approach. Psychological Review, Vol. 94, No. 2, pp148–175.</ref><ref>Kosslyn, S. M., Image and brain: The resolution of the imagery debate. Cambridge, Massachusetts: MIT Press, 1994.</ref> which is derived from [[experimental psychology]], the process of creative visualization comprises four stages:<ref> Kosslyn, S. M., Image and mind. Cambridge, Massachusetts: Harvard University Press, 1980.~~</ref><ref>~~ Kosslyn, S. M. (1987). Seeing and imagining in the cerebral hemispheres—A computational approach. Psychological Review, Vol. 94, No. 2, 1987, pp148–175.~~</ref><ref>~~ Kosslyn, S. M., Thompson, W. L., and Ganis, G., The case for mental imagery. New York: Oxford University Press, Inc., 2006.~~</ref><ref>~~ Marr, D. C., Vision: A computational investigation into the human representation and processing of visual information. New York: Freeman, 1982.~~</ref><ref>~~ Kosslyn, S. M., Seeing and imagining in the cerebral hemispheres—A computational approach. Psychological Review, Vol. 94, No. 2, 1987, pp148–175.~~</ref><ref>~~ Cichy, R. M., Heinzle, J., and Haynes, J. -D., Imagery and perception share cortical representations of content and ___location. Cerebral Cortex, Vol. 22, No. 2, 2012, pp372–380.~~</ref><ref>~~ Slotnick, S. D., Thompson, W. L., and Kosslyn, S. M., Visual memory and visual mental imagery recruit common control and sensory regions of the brain. Cognitive Neuroscience, Vol. 3, No. 1, 2012, pp14–20.</ref>~~{{Overcite\|date=February 2016}}~~ '''Stage 1''' is "Image Generation". This involves generating mental imagery, from [[memory]], from [[Fantasy (psychology)\|fantasy]], or a combination of both.<ref> '''Stage 1''' is "Image Generation". This involves generating mental imagery, from [[memory]], from [[Fantasy (psychology)\|fantasy]], or a combination of both.<ref>Pearson, D. G., Mental imagery and creative thought. Proceedings of the British Academy, Vol. 147, 2007, pp187–212.</ref><ref>Kosslyn, S. M., Image and brain: The resolution of the imagery debate. Cambridge, Massachusetts: MIT Press, 1994.</ref><ref>Kosslyn, S. M., Thompson, W. L., and Ganis, G., The case for mental imagery. New York: Oxford University Press, Inc., 2006.</ref><ref>Cornoldi, C., and Rossana, D. B., Memory and imagery: A visual trace is not a mental image. In A. C. Martin, E. G. Susan, and C. Cesare (Eds.), Theories of Memory, pp87-110. Hove, UK: Psychology Press, 1998.</ref><ref>Gardini, S., Cornoldi, C., De Beni, R., and Venneri, A., Cognitive and neuronal processes involved in sequential generation of general and specific mental images. Psychological Research-Psychologische Forschung, Vol. 73, No. 5, 2009, pp633–643.</ref><ref>Farah, M. J. (1988). Is visual imagery really visual? Overlooked evidence from neuro- psychology. Psychological Review, Vol. 95, No. 3, 1988, pp307–317.</ref><ref>Li, J., Tang, Y. -Y., Zhou, L., Yu, Q. -B., Li, S., and Sui, D. -N., EEG dynamics reﬂects the partial and holistic effects in mental imagery generation. Journal of Zhejiang University-Science, Vol. 11, No. 12, 2010, pp944–951.</ref><ref>Hitch, G. J., Brandimonte, M. A., and Walker, P., Two types of representation in vi- sual memory—Evidence from the effects of stimulus contrast on image combination. Memory and Cognition, Vol. 23, No. 2, 1995, pp147–154.</ref><ref>Pearson, D. G. (2007). Mental imagery and creative thought. Proceedings of the British Academy, Vol. 147, 2007, pp187–212.</ref><ref>Pearson, D. G., and Logie, R. H., Effects of stimulus modality and working memory load on mental synthesis performance. Imagination, Cognition, and Personality, Vol. 23, Nos. 2-3, 2004, pp183–192.</ref><ref>Cornoldi, C., De Beni, R., Guisberti, F., and Massironi, M. (1998). Memory and imagery: A visual trace is not a mental image. In M. Conway, S. Gathercole, and C. Cornoldi (Eds.), Theories of memory. Hove, UK: Psychology Press, pp87-110.</ref>{{Overcite\|date=February 2016}} Pearson, D. G., Mental imagery and creative thought. Proceedings of the British Academy, Vol. 147, 2007, pp187–212. Kosslyn, S. M., Image and brain: The resolution of the imagery debate. Cambridge, Massachusetts: MIT Press, 1994. Kosslyn, S. M., Thompson, W. L., and Ganis, G., The case for mental imagery. New York: Oxford University Press, Inc., 2006. Cornoldi, C., and Rossana, D. B., Memory and imagery: A visual trace is not a mental image. In A. C. Martin, E. G. Susan, and C. Cesare (Eds.), Theories of Memory, pp87-110. Hove, UK: Psychology Press, 1998. Gardini, S., Cornoldi, C., De Beni, R., and Venneri, A., Cognitive and neuronal processes involved in sequential generation of general and specific mental images. Psychological Research-Psychologische Forschung, Vol. 73, No. 5, 2009, pp633–643. Farah, M. J. (1988). Is visual imagery really visual? Overlooked evidence from neuro- psychology. Psychological Review, Vol. 95, No. 3, 1988, pp307–317. Li, J., Tang, Y. -Y., Zhou, L., Yu, Q. -B., Li, S., and Sui, D. -N., EEG dynamics reﬂects the partial and holistic effects in mental imagery generation. Journal of Zhejiang University-Science, Vol. 11, No. 12, 2010, pp944–951. Hitch, G. J., Brandimonte, M. A., and Walker, P., Two types of representation in vi- sual memory—Evidence from the effects of stimulus contrast on image combination. Memory and Cognition, Vol. 23, No. 2, 1995, pp147–154. Pearson, D. G. (2007). Mental imagery and creative thought. Proceedings of the British Academy, Vol. 147, 2007, pp187–212. Pearson, D. G., and Logie, R. H., Effects of stimulus modality and working memory load on mental synthesis performance. Imagination, Cognition, and Personality, Vol. 23, Nos. 2-3, 2004, pp183–192. Cornoldi, C., De Beni, R., Guisberti, F., and Massironi, M. (1998). Memory and imagery: A visual trace is not a mental image. In M. Conway, S. Gathercole, and C. Cornoldi (Eds.), Theories of memory. Hove, UK: Psychology Press, pp87-110.</ref> '''Stage 2''' is "Image Maintenance". This involves the intentional sustaining or maintaining of imagery, without which a mental image is subject to rapid [[Decay theory\|decay]], and does not remain for sufficient duration to proceed to the next stages.<ref>Kosslyn, S. M., Image and brain: The resolution of the imagery debate. Cambridge, Massachusetts: MIT Press, 1994.</ref> '''Stage 3''' is "Image Inspection". In this stage, once generated and maintained, a mental image is inspected and explored, elaborated in detail, and interpreted in relation to the participant.<ref>Kosslyn, S. M., Ganis, G., and Thompson, W. L. (2001). Neural foundations of imagery.Nature Reviews Neuroscience, Vol. 2, No. 9, pp635–642.</ref> This often involves a scanning process, by which the participant directs attention across and around an image, simulating shifts in perceptual [[Point of view (philosophy)\|perspective]].<ref> Kosslyn, S. M., Image and brain: The resolution of the imagery debate. Cambridge, Massachusetts: MIT Press., 1994.~~</ref><ref>~~ Kosslyn, S. M., Thompson, W. L., and Ganis, G., The case for mental imagery. New York: Oxford University Press, Inc., 2006.~~</ref><ref>~~ Denis, M., and Kosslyn, S. M., Scanning visual mental images: A window on the mind. Cahiers De Psychologie Cognitive-Current Psychology of Cognition, Vol. 18, No. 4, 1999, pp409–465.~~</ref><ref>~~ Baddeley, A. D., Human memory: Theory and practice. Needham Heights, MA, US: Allyn and Bacon, 1990.~~</ref><ref>~~ Denis, M., and Carfantan, M., Enhancing people's knowledge about images. In P. J. Hampson, D. F. Marks, and J. T. E. Richardson (Eds.), Imagery: Current developments, pp197–222. London: Routledge, 1990.~~</ref><ref>~~ Pylyshyn, Z. W., The imagery debate. Analog media versus tacit knowledge. Psychological Review, Vol. 88, No. 1, 1981, pp16–45.</ref> '''Stage 4''' is "Image Transformation". In this stage, the participant transforms, modifies, or alters the content of generated mental imagery, in such a way as to substitute images that provoke negative feelings, are indicative of [[suffering]] and exacerbate psychological pain, or that reaffirm disability or debilitation, for those that elicit positive emotion, and are suggestive of autonomy, ability to cope, and an increased degree of mental [[aptitude]] and [[Human body\|physical]] ability.<ref> Pearson, D. G., De Beni, R., and Cornoldi, C., The generation and transformation of visuo-spatial mental images. In M. Denis, R. H. Logie, C. Cornoldi, M. de Vega, and J. Engelkamp (Eds.), Imagery, language and visuo-spatial thinking, pp1–23. Hove: Psychology Press, 2001.~~</ref><ref>~~ Shepard, R. N., and Cooper, L. A., Mental images and their transformations. Cambridge, Massachusetts: MIT Press, 1982.~~</ref><ref>~~ Kosslyn, S. M., Thompson, W. L., and Ganis, G., The case for mental imagery. New York: Oxford University Press, Inc., 2006.~~</ref><ref>~~ Finke, R. A., Pinker, S., and Farah, M. J., Reinterpreting visual patterns in mental imagery. Cognitive Science, Vol. 13, No.1, 1989, pp 51–78.~~</ref><ref>~~ Verstijnen, I. M., van Leeuwen, C., Goldschmidt, G., Hamel, R., and Hennessey, J. M., Creative discovery in imagery and perception: Combining is relatively easy, restructuring takes a sketch. Acta Psychologica, Vol. 99, No. 2, 1998, pp177–200.~~</ref><ref>~~ Verstijnen, I. M., van Leeuwen, C., Goldschmidt, G., Hamel, R., and Hennessey, J. M., Creative discovery in imagery and perception: Combining is relatively easy, restructuring takes a sketch. Acta Psychologica, Vol. 99, No. 2, 1998, pp177–200.~~</ref><ref>~~ Reisberg, D., The nonambiguity of mental images. In C. Cornoldi, R. H. Logie, M. A. Brandimonte, G. Kaufmann, and D. Reisberg (Eds.), Stretching the imagination: Representation and transformation in mental imagery New York: Oxford University Press, 1996.~~</ref><ref>~~ Verstijnen, I. M., Hennessy, J. M., van Leeuwen, C., Hamel, R., and Goldschmidt, G., Sketching and creative discovery. Design studies, Vol. 19, No. 4, 1998, pp519– 546.~~</ref><ref>~~ Reisberg, D., and Logie, R. H. (1993). The ins and outs of working memory. In Intons-Peterson, M, Roskos-Ewoldsen, B., Blake, R., and Clayton, K. (Eds.), Imagery, creativity and discovery Hillsdale, N.J.: Erlbaum Associates, 1993, pp. 39–76.</ref><ref>Brandimonte, M. A., and Collina, S., Verbal overshadowing in visual imagery is due to recoding interference. European Journal of Cognitive Psychology, Vol. 20, No. 3, 2008, pp612–631.</ref><ref>Watkins, M. J., and Schiano, D. J., Chromatic imaging—An effect of mental coloring on recognition memory. Canadian Journal of Psychology-Revue Canadienne De Psychologie, Vol. 36, No. 2, 1982, pp291–299.</ref><ref>Reed, S. K., Imagery and Discovery. In Roskos-Ewoldsen, B,. Intons- Peterson, M. J., and Anderson, R. (Eds.), Imagery, creativity and discovery: A cognitive perspective Amsterdam: North-Holland, 1993.</ref>{{Overcite\|date=February 2016}} Brandimonte, M. A., and Collina, S., Verbal overshadowing in visual imagery is due to recoding interference. European Journal of Cognitive Psychology, Vol. 20, No. 3, 2008, pp612–631. Watkins, M. J., and Schiano, D. J., Chromatic imaging—An effect of mental coloring on recognition memory. Canadian Journal of Psychology-Revue Canadienne De Psychologie, Vol. 36, No. 2, 1982, pp291–299. Reed, S. K., Imagery and Discovery. In Roskos-Ewoldsen, B,. Intons- Peterson, M. J., and Anderson, R. (Eds.), Imagery, creativity and discovery: A cognitive perspective Amsterdam: North-Holland, 1993.</ref> ==Absorption and attention==

Creative visualization: Difference between revisions