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Nella sezione "Berlinale Special" ...<ref name="special">{{Cita web|url=https://www.berlinale.de/en/archiv/jahresarchive/2008/02_programm_2008/02_Programm_2008.html#section=section662|titolo=Berlinale Special|editore=www.berlinale.de|accesso=18 aprile 2017}}</ref>

In February 1968 the Socialist German Student Association (SDS) staged the ‘Vietnam Congress’ in Berlin. This event marked the beginning of the student protest movement which went down in history as ‘May 1968’. The congress triggered the German student movement which gradually switched its main focus from the war in the Middle East to concentrate on the young Federal Republic and its own post-war history. The Berlinale and the Federal Centre for Political Education have taken the fortieth anniversary of the Vietnam Congress to retrace the American perspective of the Vietnam War in a compact film programme.<ref name="war">{{Cita web|url=https://www.berlinale.de/en/archiv/jahresarchive/2008/08_pressemitteilungen_2008/08_Pressemitteilungen_2008-Detail_4143.html|titolo=Jan 21, 2008: Special Berlinale Series to mark the 40th anniversary of Berlin's Vietnam Congress: "War At Home" - The Vietnam war in U.S. cinema|editore=www.berlinale.de|accesso=18 aprile 2017}}</ref>

An exciting chapter of recent German film history is the focus of a special Berlinale series, “Rebellion of the filmmakers”. The starting point is the documentary film Gegenschuss – Aufbruch der Filmemacher which deals with the origins, development and crises of the legendary film publisher, Filmverlag der Autoren, in the early nineteen seventies. Producers and authors such as Werner Herzog, Rainer Werner Fassbinder, Wim Wenders, Thomas Schamoni, Michael Fengler, Veith von Fürstenberg, Hans W. Geißendörfer and Hark Bohm are synonymous with this turbulent, vibrant and also contentious period in the history of German film. To mark the occasion of the documentary, a series of seven feature films will begin in Filmkunst 66, a cinema with strong historical ties to the Filmverlag. Films will be shown which have since become classics (such as Rainer Werner Fassbinder’s Fears Eats the Soul) or which have unjustly become forgotten (such as I Love You, I Kill You by Uwe Brandner). Alfred Holighaus, curator of the series explains, “For many years the Berlinale has demonstrated in all sections that the present state of German films is really quite healthy. So it makes sense to offer the German and international audiences some insight into the history, without which the present would be inconceivable”.<ref name="rebellion">{{Cita web|url=https://www.berlinale.de/en/archiv/jahresarchive/2008/08_pressemitteilungen_2008/08_Pressemitteilungen_2008-Detail_3867.html|titolo=Dec 17, 2007: Special Series, Berlinale 2008: "Rebellion Of the Filmmakers"|editore=www.berlinale.de|accesso=18 aprile 2017}}</ref>