Cognitive Constraints on Compositional Systems: Difference between revisions

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*Lerdahl, Fred (1988). "Cognitive Constraints on Compositional Systems." In ''Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition'', ed. John Sloboda, 231-59. Oxford: Oxford University Press. Reprinted in ''Contemporary Music Review'' 6/2 (1992), pp. 97–121. [http://www.bussigel.com/lerdahl/pdf/Cognitive%20Constraints%20on%20Compositional%20Systems.pdf]

* {{wikicite |ref=Grant2001 |reference=Grant, Morag Josephine. 2001. ''Serial Music Serial Aesthetics: Compositional Theory in Post-War Europe.'' Music in the Twentieth Century, Arnold Whittall, general editor. Cambridge: Cambridge University Press.}}

* {{wikicite |ref=Heinemann1993 |reference=Heinemann, Stephen. 1993. ''"Pitch-class setSet multiplicationMultiplication in Boulez’s "Le Marteau sans maitre" with [Original compositionComposition]"".'' A Thesis submitted for the degree of Doctor of Musical Arts, Department of Music, University of WA.}}

* {{wikicite |ref=Heinemann1998 |reference=Heinemann, Stephen. 1998. "Pitch-Class Set Multiplication in Theory and Practice". ''Music Theory Spectrum'' 20, no. 1: 72–96.}}

* {{wikicite |ref=Meelberg2006 |reference=Meelberg, Vincent. 2006. ''New Sounds, New Stories: Narrativity in Contemporary Music.'' Leiden: Leiden University Press.}}