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The term "audio compression", meaning '''audio level compression''' is used in the [[sound recording]] and live [[sound reinforcement]] fields. In this context, it refers to a process whereby the [[dynamic range]] of an audio signal is reduced.
An audio level compressor reduces the dynamic range of an audio signal by using a variable gain [[amplifier]] to reduce the [[gain]] of the signal if it passes a set threshold. The amount of gain reduction is usually determined by a [[ratio]] control. That is, with a ratio of 4:1, if the input level is 4[[decibel|dB]] over the threshold, the gain will be reduced so that the output level will only be 1dB over the threshold.
Compressors usually have controls to set how fast the compressor responds to changes in input level, known as ''attack'', and how quickly the compressor returns to no gain reduction once the input level is below the threshold, known as ''release''.
Compression is commonly used in [[television commercial|TV advertizing]] to boost the percieved volume of the sound track. [[Television|TV]] broadcasters have limits on the instantanious peak volume of the audio track in a broadcast rather than its [[root mean square]] volume over the entire 30 second commercial segment. By applying compression followed by gain compensation the overall volume of the track is increased without increacing its peak volume and the sound is percieved as louder.
Some compressors implement '''sidechaining'''. This feature uses the dynamic level of another input to control the compression level of the signal. This is used by [[disk jockey|disk jockeys]] to lower the music volume automatically when speaking, for example (known as ''ducking''). Another use is in music production, to maintain a loud bass track, while still keeping the bass 'out of the way' of the bass drum when the drum hits.
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