Emil Gilels

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Emil Grigoryevich Gilels (Russian: Эми́ль Григо́рьевич Ги́лельс, Emi'li Grego'rievič Gi'lelis; October 19 1916October 14 1985) was a Soviet pianist.

Emil Gilels

Gilels was born Samuil Hilels[citation needed] in Odessa to a musical Jewish family; both his parents were musicians. He began studying the piano at six under Yakov Tkach, a stern disciplinarian who emphasized scales and studies. Gilels later credited this strict training for establishing the foundation for his technique. [1]. Gilels made his public debut at the age of 12 in June 1929 with a well-received program of Beethoven, Scarlatti, Chopin, and Schumann[2]. In 1930, Gilels entered the Odessa Conservatory where he was coached by Berta Reingbald, whom Gilels credited as a formative influence.

In 1933, Gilels won the newly-founded All Soviet Union Piano Competition at age 16. After graduating from the Odessa Conservatory (Ukraine) in 1935, he moved to Moscow, where he studied under the famous piano teacher Heinrich Neuhaus until 1937. A year later, at age 21, he won the Ysaÿe International Festival in Brussels, beating such competitors as Arturo Benedetti Michelangeli and Moura Lympany.

Gilels was the first Soviet artist to be allowed to travel extensively in the West. After the war, he toured Europe as a concert pianist starting in 1947, and made his American debut in 1955 playing Tchaikovsky's Piano Concerto No. 1 in Philadelphia. In 1952, he became a professor at the Moscow Conservatory. In his later years he remained in the USSR and rarely ventured abroad.

He was the winner of the prestigious Stalin Prize in 1946, the Order of Lenin in 1961 and 1966, and the Lenin Prize in 1962.

Gilels premiered Sergei Prokofiev's Piano Sonata No. 8, dedicated to Mira Mendelssohn, on December 30, 1944, in the Great Hall of the Moscow Conservatory.

Gilels is widely regarded as one of the most significant pianists of the twentieth century [1] and is universally admired for his superb technical control and burnished tone. His interpretations of the central German-Austrian classics formed the core of his repertoire, in particular Beethoven, Brahms, and Schumann; but he was equally illuminative with Scarlatti, Bach, as well as with twentieth-century music like Debussy, Bartók, and Prokofiev. His Liszt was also first-class, and his recordings of the Hungarian Rhapsody nº 6 and the Sonata in B minor have acquired classic status in some circles. He was in the midst of completing a survey of Beethoven's piano sonatas for the German record company Deutsche Grammophon when he died after a medical check-up in 1985 in Moscow (his recording of the "Hammerklavier" sonata received a Gramophone Award in 1984). Sviatoslav Richter, who knew Gilels quite well, reported that he was killed accidentally by the Russian doctor responsible for the check-up. [3]

Recording highlights

* live.

References

  1. ^ Elyse Mach, Great Pianists Speak for Themselves, Courier Dover Publications, 1991, p. 120
  2. ^ Elyse Mach, Great Pianists Speak for Themselves, Courier Dover Publications, 1991, p. 120
  3. ^ Richter, S. Notebooks and Conversations, Princeton, 2001, p. 32.