Re-Animator

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Re-Animator1985 is the first in a series of films based on an H.P. Lovecraft story. It stars Jeffrey Combs as Dr. Herbert West, a medical student who transfers from a school in Europe to the medical school of Miskatonic University to continue developing a formula to revive the dead. His testing of the agent leads to unintended consequences for West and his new roommate, Dan Cain. The movie has since become a cult film, mainly driven by fans of Combs.

Re-Animator
A film poster for Re-Animator.
Directed byStuart Gordon
Written byH.P. Lovecraft (short story)
Dennis Paoli
William Norris
Stuart Gordon
Produced byMichael Avery
Bruce William Curtis
StarringJeffrey Combs
Bruce Abbott
Distributed byEmpire Pictures
Running time
86 min.
Budget$900,000

Cast

Plot

Template:Spoilers After being expelled from a university in Zürich, Switzerland, Herbert West (Jeffrey Combs) arrives at Miskatonic University in New England. He rents a room from a promising (but somewhat impractically minded) student, Dan Cain (Bruce Abbott). Cain is secretly dating Megan (Barbara Crampton), daughter of the medical school dean, Alan Halsey (Robert Sampson).

There is instant animosity between West and faculty member, Dr. Carl Hill (David Gale). In Zürich, West had been a student of a scientist who claimed to have invented a glowing greenish-yellow serum that can bring dead bodies back to life, a theory that Hill repeatedly dismisses. In the opening scene, West has brought this dead professor back to life with horrible side-effects. Undaunted, West continues his research of the serum at Miskatonic, first "re-animating" Dan's dead cat and later a corpse in the medical school morgue. The corpse returns to life and viciously attacks both West and Cain. The corpse also attacks and kills Dean Halsey who stumbles upon the scene. West re-animates Halsey, who also returns to life but in a zombie-like state.

Dr. Hill discovers West's plans, imprisons Dean Halsey, and forces West to continue the research with the end result that Hill himself will take credit for the serum's discovery. West kills Hill, decapitating him with a shovel, then re-animates both Hill's body and head. Hill escapes (his body carrying its own head), stealing the serum and sending the brainless Halsey out to kidnap Megan. (A few scenes earlier, Dan and Megan had discovered that Hill had been harbouring a disturbing obsession for Megan.)

Cain and West track Halsey to the campus morgue where they find Hill's body holding its own head and molesting a restrained Megan. Cain frees Megan while West distracts Hill's two-piece body. Hill reveals that he has re-animated and lobotomised several corpses so they will do his bidding. In the ensuing chaos, Cain and Megan escape and West injects Hill's body with what he believes is a lethal overdose of the re-animation serum. Hill's body takes on a horribly monstrous new form and attacks West; his fate, however, is unknown.

As Dan and Megan run from the morgue, Megan is attacked by one of the corpses and killed. Dan takes her to the hospital emergency room but is unable to revive her. He injects her with West's serum.

Sequels

The film was followed by Bride of Re-Animator (as the name suggests, a parody of Bride of Frankenstein), as well as by Beyond Re-Animator.

Compared to Lovecraft's original

Ironically, Re-Animator is often considered to be one of the few (if not the only) accurate film treatments of Lovecraft's original work. Even more ironically, some of the weakest of Lovecraft's work was the inspiration for it.

Lovecraft originally serialised the story (entitled Herbert West: Reanimator) in the amateur press, in a magazine of one of his friends. In correspondence with others, he claimed to be unhappy with the work, only writing it because he was being paid five dollars for each of the installments. He was further unhappy with the requirements of the story - unlike his normal style, he was forced to end each installment with a cliffhanger. He also had to begin every of them by a recap of the precedent episode.

Because of this, according to his letters, Lovecraft wrote the story more as a parody of Mary Shelley's Frankenstein rather than as an original piece of fiction. He drops in numerous Frankenstein references (even hinting at the poetry of Samuel Taylor Coleridge, as Shelley did) while at the same time purposely making scenes overly violent, gruesome, and cliche.

Likewise, the movie is considered to be a great parody of traditional horror films because it refuses to take itself very seriously. Evident from the commentary track on the Millennium Edition DVD is the fact that the cast and crew had an enjoyable experience in making the film, despite several scenes that those not familiar with the overall tone of the film (the parody factor) might find morally objectionable or too violent. The film is indeed grotesquely violent, however, the violence is more in the vein of black comedy. The film's saving grace is the acting from the cast, who manage to give their characters surprising depth (a quality that horror films rarely exhibit). Also convincing are the obviously low-budgeted special effects.

The film was directed by Stuart Gordon, previously a theatre director in his hometown of Chicago. Gordon is best known for schlocky, low-budget but surprisingly humourous horror films. Others in his repertoire include Dagon about an evil spirit that has possessed a small seaside town, From Beyond, another Lovecraft adaptation and Fortress, starring Christopher Lambert and set in a futuristic Orwellian prison.