David Fincher (born May 10, 1962) is an American music video and film director known for his dark and stylish portraits of the human experience.

Early life and career
Born in Denver, Colorado, Fincher was raised in Marin County California. He moved to Ashland, Oregon in his teens where he graduated from high school.
Inspired by the film, Butch Cassidy and the Sundance Kid, he began making movies at the age of eight with an 8mm camera. Filmmaking seemed the perfect outlet for a kid who could spend all day drawing and loved to make sculptures, take pictures and tape-record stuff. Fincher eschewed the film school route, getting a job loading cameras and doing other hands-on work for John Korty's Korty Films. He next got a job at Industrial Light and Magic in 1980 with his first screen credit being for Return of the Jedi, and stayed until 1984. He left the company and directed the documentary The Beat of the Live Drum. Based on its strength he went on to helm TV commercials, shooting his first one for the American Cancer Society, a grim hint of things to come showing a fetus smoking a cigarette. Though he would go on to direct spots for Revlon, Converse, Nike, Pepsi and Levi's, Fincher soon discovered that the slightly expanded format of music videos was an even better place to try things out.
Propaganda Films
With his sights set on a directing career, he along with Steve Golin, Sigurjón Sighvatson and Dominic Sena founded the talent management and advertising and video-production company Propaganda Films in 1986, which would soon become the biggest player in the field of advertising and music videos. Directors such as David Kellogg, Michael Bay, Antoine Fuqua, Neil LaBute, Spike Jonze, Andrew Douglas, Stephane Sednaoui, Mark Romanek, Malcolm Venville, Michel Gondry, Zack Snyder, Gore Verbinski, and Alex Proyas among others honed their talents at Propaganda before moving on to feature films. The company shut down in 2001 after key members left. The same year, Fincher, Golin, and Kellogg, among others, formed the talent management and advertising and music production company Anonymous Content.
Music videos
Fincher directed big-budget music videos for artists such as Madonna (including "Express Yourself" and "Vogue"), George Michael, Aerosmith, the Rolling Stones (including "Love Is Strong"), Nine Inch Nails, the Wallflowers and A Perfect Circle, as well as commercials. Like a number of other music video directors, he then moved into film.
Features
Alien³
Fincher's debut was Alien³ (1992), which was then the most expensive picture ever made by a first-time director. Unfortunately the film was not a pleasant experience for Fincher, having had a difficult time with the people at 20th Century Fox, who built sets without a finished script and made production a nightmare. While it received an Oscar nomination for special effects, the film was not well received by critics or movie goers. Depressed and disillusioned, Fincher retreated back into the world of commercial and music video directing earning a Grammy for the Rolling Stones's "Love Is Strong" (1994) fearing that he would never work in film again.
Se7en
Fate finally came knocking on Fincher's door with Andrew Kevin Walker's screenplay for a grisly detective story titled Se7en (1995). Relentlessly grim and oozing with rancid cynicism, Fincher pulled no punches delivering an extraordinarily gripping, unrelenting story of a serial killer murdering his victims according to the seven deadly sins. The movie rocketed past the $100 million mark turning Fincher from Hollywood's favorite whipping boy to arguably the town's hottest director. The film's success was even more remarkable for the fact that it strayed so far from the escapist fare that typically primes a film for mainstream commercial standing.
The Game
Next came the dark adventure film, The Game (1997), a nightmarish, Twilight Zone-style thriller which projected the same sense of suffocating enclosure and mounting despair as had Se7en. The film boasted almost as much feel-bad cynicism as Se7en, but failed to get the warm reception enjoyed by its predecessor.
Fight Club
The relative disappointment of The Game, however, did little to dim the excitement that accompanied Fincher's next project, Fight Club, a screen adaptation of Chuck Palahniuk's novel of the same name. Featuring a sterling cast that included Edward Norton, Helena Bonham Carter, and Se7en collaborator Brad Pitt, the 1999 film was easily one of the most publicized of the year but was an early disappointment at the box-office and received with mixed reviews. Fueled in equal measure by stylistic audacity and the spirit of disenfranchised machismo, Fight Club the film was panned by most critics (called Macho porn by Roger Ebert) and alienated audiences leading to its box office failure.
However many critics and audiences later had a change of heart and the film appeared on many best of the year lists and soon developed an enormous following. Entertainment Weekly, which had originally given the film a negative grade of D, later ranked the DVD #1 on its list of "The Top 50 DVDs You Need To Own." The DVD market, which was experiencing rapid growth at the time, caused Fight Club to not only break even, but actually become profitable. It now has one of the biggest cult followings in recent memory.
Panic Room
In 2002 he followed up with the thriller Panic Room, which introduced some innovative uses of computer graphics. While a stunning technical achievement with a good gross at the box office, the film was not as well recieved as Se7en, Fight Club or The Game.
The future
Zodiac
Zodiac is an adaptation of Robert Graysmith's books about the hunt for Zodiac killer, the film stars Jake Gyllenhaal, Robert Downey Jr. and Mark Ruffalo.
Benjamin Button
The fantasy film, Benjamin Button is an adaptation of F Scott Fitzgerald's short story The Curious Case of Benjamin Button. The film will reunite Fincher with Brad Pitt.
Torso
Fincher is also attached to direct an adaptation of Brian Michael Bendis' graphic novel Torso.
Filmography
Theatrical films
- Alien³ (1992)
- Se7en (1995)
- The Game (1997)
- Fight Club (1999)
- Panic Room (2002)
- Zodiac (2006) (filming)
- Benjamin Button (2007) (pre-production)
- Torso (tba)
Music videos
- "Shame," The Motels (1985)
- "All The Love," The Outfield (1986)
- "Everytime You Cry," The Outfield (1986)
- "One Simple Thing," The Stabilizers (1986)
- "She Comes On," Wire Train (1987)
- "Endless Nights," Eddie Money (1987)
- "Downtown Train," Patti Smyth (1987)
- "Johnny B," The Hooters (1987)
- "Storybook Story," Mark Knopfler (1987)
- "No Surrender," The Outfield (1987)
- "Don't Tell Me The Time," Martha Davis (1987)
- "Heart of Gold," Johnny Hates Jazz (1988)
- "Englishman in New York," Sting (1988)
- "Shattered Dreams" (second version), Johnny Hates Jazz (1988)
- "Get Rhythm," Ry Cooper (1988)
- "Roll With It," Steve Winwood (1988)
- "The Way That You Love Me" (first version), Paula Abdul (1988)
- "Holding On," Steve Winwood (1988)
- "Bamboleo" (second version), Gypsy Kings (1989)
- "Straight Up," Paula Abdul (1989)
- "Real Love," Jody Watley (1989)
- "Bamboleo" (third version, Gypsy Kings (1989)
- "She's A Mystery To Me," Roy Orbison (1989)
- "Forever Your Girl," Paula Abdul (1989)
- "Express Yourself," Madonna (1989)
- "The End Of The Innocence," Don Henley (1989)
- "Cold Hearted," Paula Abdul (1989)
- "Oh Father," Madonna (1989)
- "Janie's Got A Gun," Aerosmith (1989)
- "Vogue," Madonna (1990)
- "Cradle of Love," Billy Idol (1990)
- "L.A. Woman," Billy Idol (1990)
- "Freedom '90," George Michael (1990)
- "Bad Girl," Madonna (1993)
- "Who Is It?" (second version), Michael Jackson (1993)
- "Love Is Strong," The Rolling Stones (1994)
- "6th Avenue Heartache," The Wallflowers (1996)
- "Judith," A Perfect Circle (2000)
- "Only," Nine Inch Nails (2005)
See also
External links
- David Fincher at IMDb
- David Fincher at the All Movie Guide
- Senses of Cinema: Great Directors Critical Database
- Music Videos & Commercials at anonymous content
- Love Costs: Rescuing Se7en from Nihilism essay at 24 Lies A Second