Gynoid

This is an old revision of this page, as edited by 83.14.10.10 (talk) at 06:57, 13 September 2006 (pl). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Gynoid (from Greek gynē - woman) is a term used to describe a robot designed to look like a human female, as compared to an android modeled after a male. The term is not common, however, with "android" often being used to refer to both 'genders' of robot. The portmanteaus "fembot" (female robot) and "feminoid" (female android) have also been used sparingly. "Gynoid" alone was first used in the writings of British science fiction author Gwyneth Jones and later by Richard Calder.

File:PygmalianGalatea.jpg
Pygmalion and Galatea by Jean-Leon Gerome (1824-1904)

Early concepts

From 600 BC onward legends of talking bronze and clay statues coming to life have been a regular occurrence in the works of classical authors such as: Homer, Plato, Pindar, Tacitus, and Pliny. In Book 18 of the Iliad, Hephaestus the god of all mechanical arts, was assisted by two moving female statues made from gold - "living young damsels, filled with minds and wisdoms". Another legend has Hephaestus being commanded by Zeus to create the first woman, Pandora, from out of clay. The myth of Pygmalion, king of Cyprus, tells of a lonely man who sculpted his ideal woman from ivory, Galatea, and then promptly fell in love with her after the goddess Aphrodite brings her to life. Variations on this recurrent theme of loving an artificial creation appear in E.T.A. Hoffmann's gothic short story Der Sandmann (1817) in which the love object is the automaton Olympia, in Léo Delibes' ballet Coppélia (1870) where it is the eponymous dancing doll, and in countless recent science fiction films and novels.

Since the Renaissance, inventors began considering machines for more realistic yet aesthetic purposes. In 1540, Italian inventor Gianello Torriano of Cremona made automata for the amusement of Charles V, Holy Roman Emperor, including a life-sized girl plucking a lute. The girl could walk in straight lines or circles and tilt her head. It still exists and now resides in the Kunsthistorisches Museum in Vienna. During the 1640s, the French philosopher René Descartes is reputed to have travelled with an artificial female companion called Francine, named after his daughter. Austrian Friedrich von Knauss developed a "writing doll" in 1760 capable of writing up to 107 words through dictation. By 1773, the Jaquet-Droz brothers in France had developed a series of life-like mechanical puppets which included a sixteen year old female musician. The musician played a piano with fingers on the appropriate keys and was designed to simulate breathing as well as turn her head sideways and bow at the end of each performance. Mechanist Les Maillardet is credited in inspiring the invention of "The Philadelphia Doll" (1812) which was capable of writing in English and French and drew landscapes. In 1823, Johann Nepomuk Maelzel had manufactured a doll that could state "Ma-ma" and "Pa-pa". By 1891, Thomas Edison developed this work further by patenting his Talking Doll, utilising a wax cylinder that recited "Mary Had a Little Lamb", based on Maelzel's earlier idea. Initially to advertise his phonograph, more than 500 were produced.

Modern developments

The industrial revolution and in particular since World War II, the development of cybernetics and the concept of artificial intelligence led to more complex ideas of robots and androids. Whereas robots in the past have performed routine and mundane tasks, a fully independent gynoid has yet to be developed. Protoype gynoids are the Repliee Q1 family, including Repliee R1 (resembling a little girl) and its successors Repliee Q1 and Repliee Q2.

Role of gynoids in science fiction

Science fiction storytellers have widely used humanoid robots, sometimes as part of the look and feel of their fictional worlds, but often so as invite the audience to react to the robot character as if it were human. Stories using androids can explore issues such as what it means to be human. At what point do androids become so human-like that they deserve the rights that society grants to humans? For example, Philip K. Dick's novel, Do Androids Dream of Electric Sheep? (which was adapted into the film, Blade Runner), deals with a world in which androids are so realistic that only special equipment can distinguish them from humans. However, androids are treated as inferior to humans. The action revolves around a bounty hunter employed to track down escaped androids who are masquerading as humans.

Stories that specifically need gynoids (as opposed to genderless humanoid robots) often invite the audience to consider issues of gender relations and gender roles. Many fictional gynoids are made to resemble attractive young women, bringing issues of romance and sexual relations into play. For example, should societies approve or tolerate gynoids being owned by male humans as sex toys or sex slaves (and by extension, how does this reflect on the treatment of human females by their males)? Stories such as the The Stepford Wives, Weird Science, and Chobits have dealt thoughtfully with these issues. See also Sex in science fiction.

List of fictional gynoids

Template:Spoiler

The list below includes gynoids or cyborgs with a female appearance.
File:Metropolis Gynoid.jpg
Maria, from the film Metropolis, is a famous gynoid from modern fiction.

Gynoids in cinema

Gynoids in television

Gynoids in animation

Gynoids in literature/comics/theatre

Gynoids in video games

Miscellaneous notes:

  • Gynoids appearing in both anime and manga are listed in the animation category.
  • There are several names that are synonymous with the word "gynoid" in anime and manga, for example: persocom, marionette, and cyberdoll.
  • Japanese illustrator Hajime Sorayama is well known for having female-shaped robots among his preferred themes.

References

  • Adams, Alison (1998) Artificial Knowing: Gender and the Thinking Machine. London and New York: Routledge. ISBN 0-415-12962-1
  • Balsamo, Anne (1996) Technologies of the Gendered Body: Reading Cyborg Women. Durham, NC: Duke University Press. ISBN 0-8223-1686-2
  • Haraway, Donna J. (1991) Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge. ISBN 0-415-90386-6
  • Jordana, Ludmilla (1989) Sexual Visions: Images of Gender in Science and Medicine between the Eighteenth and Twentieth Centuries. Madison, Wis.: University of Wisconsin Press. ISBN 0-299-12290-5
  • Leman, Joy (1991) "Wise Scientists and Female Androids: Class and Gender in Science Fiction." In, Corner, John, editor. Popular Television in Britain. London: BFI Publishing. ISBN 0-85170-269-4
  • Warner, Marina (2000) reprint Monuments and Maidens: The Allegory of the Female Form. Berkeley: Univ. of California Press. ISBN 0-520-22733-6

Further reading

  • Gaby Wood. Edison's Eve: A Magical History of the Quest for Mechanical Life. (2002).

See also