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Utente:JhonSavor/sandbox1/Fumetti di Devil

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icembreElenco dei fumetti incentrati sul personaggio di Daredevil pubblicati negli anni '80 dalla Marvel Comics. Questi anni sono stati caratterizzati dalla storica gestione di Frank Miller e da quella successiva di Ann Nocenti. Del 1986 è il celebre arco narrativo Rinascita di Miller e David Mazzucchelli, considerata da molti uno dei capolavori di Miller[1].

In Italia sono stati pubblicati per la prima volta dalle case editrici tra il e il all'interno di .

Storia editoriale

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Sales had been declining since the end of the Wolfman/Brown run, and by the time Miller became Daredevil's penciler, the series was in danger of cancellation. Moreover, Miller disliked Roger McKenzie's scripts, and Jim Shooter (who had since become Marvel's editor-in-chief) had to talk him out of quitting.[2] Seeking to appease Miller,[2] and impressed by a short backup feature he had written, new editor Denny O'Neil fired McKenzie so that Miller could write the series.[3] The last issue of McKenzie's run plugs a two-part story which was pulled from publication, as its mature content encountered resistance from the Comics Code Authority, though part one eventually saw print in Daredevil #183, by which time Code standards had relaxed.[4]

In this period, Miller modeled Matt Murdock's appearance on the actor Robert Redford.[5] Miller's initial run, first as penciler, then writer/penciler, and last a writer and layout artist begins in May 1979 and ends in February 1983. During this period, circulation doubled, to average sales of 276,812 copies per month. Comics historian Les Daniels noted that "Almost immediately, [Miller] began to attract attention with his terse tales of urban crime."[6] Miller's revamping of the title was controversial among fans, but it clicked with new readers, and sales began soaring,[2] the comic returning to monthly status just three issues after Miller came on as writer. The series made Miller a star in the industry.[7] Miller took writing inspiration from hardboiled crime fiction as well as the superhero comic tradition.[8] For example, he draws on techniques of suspense, dramatic irony, and ambiguous characterization adopted from Raymond Chandler.[9] Miller moved away from the conventions of the commercially dominant genre of comic books, superhero comics, toward the style that interested him most: crime comics.[10] Miller is also responsible for emphasizing Daredevil's Catholic beliefs and deep concern with penance.[11]

Resuming the drastic metamorphosis McKenzie began, Miller ignores much of Daredevil's continuity prior to his run on the series; on the occasions where older villains and supporting cast appear, their characterizations and history with Daredevil are reworked or overwritten. Most prominently, dedicated and loving father Jack Murdock is reimagined as a drunkard who physically abused his son Matt, entirely revising Daredevil's reasons for becoming a lawyer.[12] Spider-Man villain Kingpin becomes Daredevil's new primary nemesis, displacing most of his large rogues gallery. Miller also introduced the Punisher to the series, a lethal vigilante previously created in The Amazing Spider-Man. Punisher serves a foil for Daredevil because he is motivated by vengeance rather than justice, and is willing to apply deadly force.[13] However, tormented by guilt, Daredevil himself gradually becomes something of an antihero. In issue #181 (April 1982), he attempts to murder Bullseye by throwing him off a tall building; when the villain survives as a quadriplegic, he breaks into his hospital room and tries to scare him to death by playing a two-man variation on Russian roulette with a secretly unloaded gun.[14]

Miller infused his first issue of Daredevil with his own film noir style.[15] Miller sketched the roofs of New York in an attempt to give his Daredevil art an authentic feel not commonly seen in superhero comics at the time. Miller cited Will Eisner and Moebius, from the comics tradition, and filmmakers Orson Welles, Fritz Lang, and Alfred Hitchcock as inspirations.[16] One journalist commented:Template:Blockquote

Following up a suggestion from O'Neil that he give Daredevil a realistic fighting style,[17] Miller drew detailed fighting scenes attentive to the physics and techniques of East Asian martial arts.[18] Miller introduced ninjas into the Daredevil canon, in particularly an evil army called the Hand.[19] Miller created previously unseen characters who had played a major part in his youth: Stick, leader of the ninja clan, the Chaste, who had been Murdock's sensei after he was blinded; and Elektra, an on-again off-again girlfriend and sometime member of the Hand.[20] Elektra was eventually killed by Bullseye, in a shocking and widely read issue that was one of the defining events of comics for the decade.[21]

With #185, inker Janson began doing the pencils over Miller's layouts, and after #191 Miller left the series entirely. O'Neil switched from editor to writer. O'Neil was not enthusiastic about the switch, later saying "I took the gig mostly because there didn't seem to be (m)any other viable candidates for it."[3] Janson left shortly after Miller, replaced initially by penciler William Johnson and inker Danny Bulanadi, who were both supplanted by David Mazzucchelli.

O'Neil continued McKenzie and Miller's noir take on the series, but backed away from the antihero depiction of the character by having him not only spare Bullseye's life but express guilt over his two previous attempts to kill him. In the period written by O'Neil, Heather Glenn eventually kills herself, in Daredevil #220 (March 1985).[22] Miller returned as the title's regular writer, co-writing #226 with O'Neil. Miller and artist David Mazzucchelli crafted the acclaimed "Born Again" storyline in #227–233.[23] In the Born Again storyline, Karen Page returns as a heroin-addicted porn star, and sells Daredevil's secret identity for drug money.[24] The Kingpin acquires the information and, in an act of revenge, orchestrates a frameup that costs Murdock his attorney's license. Murdock also discovers that his lost mother, Maggie, who he thought dead, is living as a nun.[25] Miller ends the arc on a positive note, with Murdock reuniting with Karen Page.[26] Miller intended to produce an additional two-part story with artist Walt Simonson but the story was never completed and remains unpublished.[27] Miller's period of authorship was enormously commercially successful; his story arcs on Daredevil were the only sales competition for Chris Claremont's Uncanny X-Men, the consistent top seller in the 1980s.[28]

Three fill-in issues followed before Steve Englehart (under the pseudonym "John Harkness")[29][30] took the post of writer, only to lose it after one issue due to a plot conflict with one of the fill-ins.

https://www.manwithoutfear.com/daredevil-interviews/Nocenti

Ann Nocenti became the series's longest-running regular writer, with a four-and-a-quarter-year run from #238–291 (Jan. 1987 – April 1991).[31] The shuffle of short-term artists continued for her first year, until John Romita Jr. joined as penciller from #250 to #282 (January 1988 – July 1990) alongside inker Al Williamson, who stayed on through #300. In this period, Murdock returns to law by co-founding with Page a nonprofit drug and legal clinic. Nocenti's stories wrestle with feminism, alcoholism, and animal rights.[32] She introduced the antagonist Typhoid Mary, who became a recurring villain.[33] Typhoid Mary has dissociative identity disorder; while her "Typhoid" identity is evil, her alter ego, Mary Walker, who dates Daredevil is sweet and reserved.[34] Nocenti created Typhoid Mary after reflecting on experiences working in asylums for the mentally ill, about the condition of bipolar disorder, and about stereotypes regarding women in comic books.[35] In Nocenti's storyline, Murdock becomes a drifter in upstate New York; this was the first time the character had been taken outside of an urban environment.[36] She concludes her run with a positive turn in Murdock's fortunes: He returns to Hell's Kitchen, regains his sense of self, reconciles with Foggy Nelson, and resolves to seek out Karen Page.[37]

Di seguito, i personaggi rilevanti introdotti all'interno della serie in questi anni (in ordine di apparizione):

Pubblicazioni

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https://www.comicsbox.it/serie/DD1&limite=150

https://leagueofcomicgeeks.com/comics/series/111619/daredevil

https://marvel.fandom.com/wiki/Daredevil_Vol_1

Serie regolare

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Nr. Data Titolo Titolo italiano Sceneggiatura Disegni Chine Colori Copertina Prima edizione italiana Data italiana
164 Febbraio 1980 Exposé La rivelazione Roger McKenzie Frank Miller Klaus Janson Glynis Oliver Frank Miller L'Uomo Ragno 47 (Editoriale Corno) Settembre 1983
165 Aprile 1980 Arms of the Octopus Le braccia di Octopus Roger McKenzie (soggetto e sceneggiatura) e Frank Miller (soggetto) Bob Sharen L'Uomo Ragno 48 (Editoriale Corno)
166 Giugno 1980 Till Death Do Us Part! Finché morte non ci separi Glynis Wein L'Uomo Ragno 49 (Editoriale Corno) Ottobre 1983
167 Agosto 1980 …The Mauler! Distruttore David Michelinie L'Uomo Ragno 50 (Editoriale Corno)
Dark Secrets Segreti misteriosi Frank Miller L'Uomo Ragno 44 (Editoriale Corno) Luglio 1983
168 Ottobre 1980 Elektra Elektra! A.A.V.V. Marvel 2 (Labor Comics) Luglio 1986
169 Dicembre 1980 Devils Glynis Wein Fantastici Quattro 2 (Star Comics) Novembre 1988
170 Febbraio 1981 The Kingpin Must Die! Kingpin deve morire! Fantastici Quattro 3 (Star Comics) Dicembre 1988
171 Marzo 1981 In the Kingpin's Clutches Nella stretta di Kingpin Fantastici Quattro 4 (Star Comics) Gennaio 1989
172 Gangwar! Guerra di bande Fantastici Quattro 5 (Star Comics) Febbraio 1989
173 Aprile 28, 1981 Lady Killer Il maniaco Fantastici Quattro 6 (Star Comics) Marzo 1989
174 Maggio 1981 The Assassination of Matt Murdock L'assassinio di Matt Murdock Glynis Wein e Klaus Janson Fantastici Quattro 7 (Star Comics) Aprile 1989
175 Giugno 1981 Gantlet La sfida Bob Sharen e Christie Scheele Fantastici Quattro 9 (Star Comics) Giugno 1989
176 Luglio 1981 Hunters I cacciatori Glynis Wein Fantastici Quattro 10 (Star Comics) Luglio 1989
177 Agosto 1981 Where Angels Fear to Tread Dove gli angeli non osano Glynis Wein Fantastici Quattro 11 (Star Comics) Agosto 1989
277 Dicembre 1989 Of Crowns and Horns Di corone e di corna Ann Nocenti Rick Leonardi Al Williamson Christie Scheele Rick Leonardi Star Magazine 20 (Star Comics) Maggio 1992

Annual

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Nr. Data TItolo Titolo italiano Sceneggiatura Disegni Chine Colori Copertina Prima edizione italiana Data italiana
5 Maggio 1989 A Friend In Need Un amico nel bisogno (Atlantide Attacca parte 7) Gerry Conway Mark Bagley Sam De La Rosa George Roussos Ron Frenz Star Magazine 38 (Star Comics) Novembre 1993
Role Reversal Inversione di ruoli Gregory Wright Jim Lee Kim DeMulder Gregory Wright Star Magazine 20 (Star Comics) Maggio 1992
Super Senses Comparisons n/a Peter Sanderson Mark Bagley Vince Mielcarek n/a Inedito n/a
The Rescue Al salvataggio Gregory Wright John Romita Jr. Klaus Janson Gregory Wright Star Magazine 20 (Star Comics) Maggio 1992
The Redeemed and the Condemned I redenti e i condannati Whilce Portacio Al Milgrom
The Saga of the Serpent Crown Chapter Seven: The Rebel n/a Peter Sanderson Mark Bagley Keith Williams Marc Siry Inedito n/a

Note

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  1. ^ Sergio L. Duma, Daredevil Rinascita, con Frank Miller torna la storia più acclamata del Diavolo Rosso [Recensione], su MangaForever, 6 luglio 2016. URL consultato il 4 giugno 2023.
  2. ^ a b c Errore nelle note: Errore nell'uso del marcatore <ref>: non è stato indicato alcun testo per il marcatore ShooterInt
  3. ^ a b Kuljit Mithra, Interview With Dennis O'Neil, su manwithoutfear.com, February 1998.
  4. ^ Pierre Comtois, Marvel Comics in the 80s: An Issue by Issue Field Guide to a Pop Culture Phenomenon, TwoMorrows Publishing, December 2014, p. 31, ISBN 978-1605490595.
  5. ^ "The Frank Miller/Klaus Janson Interview," Peter Sanderson, reprinted in Miller and Janson, p. 779.
  6. ^ Les Daniels, Marvel: Five Fabulous Decades of the World's Greatest Comics, Harry N. Abrams, 1991, p. 188, ISBN 9780810938212.
  7. ^ Young 2016, p. 8.
  8. ^ Young 2016, p. 17.
  9. ^ Young 2016, p. 59.
  10. ^ Young 2016, p. 61.
  11. ^ Young 2016. p. 72-73.
  12. ^ Helvie 2013, p. 38-39
  13. ^ Young 2016, p. 49.
  14. ^ Young 2016, p. 170-177.
  15. ^ Flinn, Tom. "Writer's Spotlight: Frank Miller: Comics' Noir Auteur," ICv2: Guide to Graphic Novels #40 (Q1 2007).
  16. ^ Miller and Janson, p. 775, 786.
  17. ^ Kraft, David Anthony, Frank Miller's Ronin, in Comics Interview, Fictioneer Books, April 1983, p. 7–21.
  18. ^ Young 2016, p. 62.
  19. ^ Hanefalk 2022, p. 9.
  20. ^ DeFalco 2022a, p. 190-192.
  21. ^ DeFalco 2022a, p. 197.
  22. ^ Young 2016, p. 231-232.
  23. ^ DeFalco 2022a, p. 216.
  24. ^ Lindsay 2013a, p. 104, Murphy 2013, p. 150.
  25. ^ Brian Cronin, "Why Did Daredevil's Mom Become a Nun?", CBR, August 28, 2016. [1]
  26. ^ Lindsay 2013a, p. 105.
  27. ^ Kuljit Mithra, Interview With Walt Simonson, su manwithoutfear.com, August 1997.
    «The gist of it is that by the time Marvel was interested in having us work on the story, Frank was off doing Dark Knight and I was off doing X-Factor. So it never happened. Too bad—it was a cool story too.»
  28. ^ Deman 2023, p. 6.
  29. ^ Steve Englehart, Daredevil, su steveenglehart.com, n.d..
    «[S]ince all the plotlines I set up went to waste I put my "John Harkness" pseudonym on it.»
  30. ^ Kuljit S. Mithra, Interview With Steve Englehart, su manwithoutfear.com, June 1997.
  31. ^ Hanefalk 2022, p. 214.
  32. ^ Kuljit Mithra, Interview with Ann Nocenti, su manwithoutfear.com, October 1998.
  33. ^ DeFalco 2022a, p. 225.
  34. ^ Lindsay 2013a, p. 121.
  35. ^ Vecchiolla 2018, p. 182-183.
  36. ^ Lindsay 2013a, p. 124.
  37. ^ Lindsay 2013a, p. 105.

Voci correlate

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Collegamenti esterni

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