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For other uses, see Terp (disambiguation).

Terp
(music and dance slang)
LanguageEnglish
Part of speechNoun (slang)
Derived fromTerpsichore (Greek muse of dance)
Usage
Entertainment, music, and dance journalism

Terp is an American show-business slang term derived from the name of the muse Terpsichore (/ˈtɜːrpsɪkəriː/), used as both a noun (referring to a dancer or dance performance) and a verb (meaning "to dance"). It appears in 20th-century entertainment trade publications such as Variety and Billboard, often alongside expressions like terping, terp act, and Terpsichorean. These terms formed part of the specialized slang used within theatrical and musical performance industries.[1][2][3][4]

Etymology

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The term is an eponym of Terpsichore, the Greek muse of dance and dramatic chorus.[5][6] The slang use of Terpsichorean to mean "a dancer" was already documented in The Century Dictionary (1889–1891), which included a colloquial noun definition for "a dancer."[7] The New Century Dictionary (1927) formalized this dual usage, listing both the classical adjective and the slang noun meanings.[8] This colloquial evolution laid the groundwork for the clipped slang form "terp."

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A June 1895 article in The Westminster Review referred to dance as "the delightful art of the Muse, Terpsichore," illustrating how the name had already come to signify both formal and social dancing.[9] From the 1930s to the 1970s, term terp – along with related expressions derived from Terpsichore — was widely used by dance professionals and in entertainment trade publications such as Variety and Billboard. Writers used terp and terpsichore (often lowercase "t") interchangeably to refer to dancers, dancing, or dance music.

  • In a 1922 advertisement, the New York Star described Marga Waldron (née Margaret Elliot Waldron; 1902–1993) as "handling the terps" in a vaudeville duet at the piano.[10][11]
  • The Terp Ballroom, a dance venue in Austin, Minnesota, opened in 1938.[12] It was operated by Carl Fox (né Carl John Fuchs; 1895–1973) and his wife, Emma Gertrude Emerick (1896–1979), who also ran the Surf Ballroom in Clear Lake, Iowa and the Prom Ballroom in St. Paul, Minnesota.[13] These venues were part of the MINK circuit (Minnesota, Iowa, Nebraska, Kansas) for territory bands. The Surf Ballroom hosted Buddy Holly's final performance before the 1959 plane crash known as The Day the Music Died.[14] As of 2025, the former Terp Ballroom continues to operate as the El Parral Ballroom.[15]
  • "Hackett's herd churns out a highly palatable brand of terp tempi, equally appealing to the ear and toe."[6]
  • "[Reese LaRue] ... known for torrid terpsichore; died Aug. 8, 1985."[16]
  • In a 2001 retrospective in The New York Times, journalist Scott Veale profiled Variety's "slanguage" as a unique journalistic idiom, citing terp as one of several vivid, insider terms used in its headlines and articles.[17]

Terp tempo

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In a 2014 blog post, music writer Greg Adams described term "terp tempo" as a common piece of jargon in Billboard magazine reviews from the 1940s through the 1960s. "Terp tempo," "terp beat," and "terp rhythm" – according to Adams – are synonymous descriptive music terms referring to "a good tempo for dancing." Adams showed numerous examples from Billboard and a 1954 example from Variety, illustrating the term's use in record reviews and ratings.[18] The below examples include one extra from a 1937 issue of Variety:

Variety

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  • June 1937: "Eddie LeBaron keeps terp tempo to his own tunes".[19]
  • October 1954: "Yanks Dig That Mambo Beat" – "Puerto Rico Terp Tempo Spreading".[20][21]

Variety Movie Guide

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  • The Variety Movie Guide, published annually from 1992 through 2001, included a glossary of entertainment terms in its preface, including the terms "terp(ing)" and "terpsichore."[22]

Billboard

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  • May 1946: Will Osborne – "They Say It's Wonderful": "Sticking to an easy terp tempo ..."[23]
  • February 1951: Tex Williams – "Tulsa Trot": "... ork maintains a fine terp tempo via swinging strings."[24]
  • February 1957: Benny Strong Orchestra – "You Call Everybody Darling": "... strong swingy terp-tempo."[25]
  • May 1958: Eddie Platt – "Chi-Hua-Hua": "... solid terp tempo."[26]
  • March 1960: Gloria Matancera – The Soul of Cuba: "... easy terp tempo ... with a cha cha or mambo beat."[27]

Usage in sports journalism

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The term Terpsichorean has appeared in sports journalism in connection with the University of Maryland Terrapins, whose nickname Terps coincides with the first syllable. Examples include headlines such as:

Fictional and satirical usage

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A satirical variant, terpsichologist, appears in a 1913 humor piece in Judge magazine, describing a fictional expert on dance trends. The term reflects how terp-derived coinages occasionally appeared in comedic and literary contexts beyond the music industry.[30]

Reference works and linguistic studies

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The term terp and related expressions appear in a range of reference works, dictionaries, and entertainment glossaries spanning the 20th century.

Dictionaries

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Thesauruses

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  • The 1953 American Thesaurus of Slang lists terp (noun "dancer," verb "to dance"), terper (noun "dancer"), and terpsichorean (adjective "relating to dance").[35]
  • The 1995 Wordsworth Thesaurus of Slang includes entries for "terper" as synonymous under the headings "Choreographer," "Dancer," and "Entertainer."[36]

Glossaries

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  • The glossary in Show Biz: From Vaude to Video (1951) by Abel Green and Joe Laurie Jr. lists terp as established entertainment slang.[2][37]
  • Don Wilmeth's Language of American Popular Entertainment (1981) likewise records terp and related forms in theatrical and journalistic contexts.[38]
  • A 1937 article in American Speech discusses slang used by writers at Variety, including terp (dancer), alongside terms such as hoofo logist (dancer), dancapation (dance music), and grinder (newsreel cameraman).[39]

Journals / commentary

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  • Variety's distinctive "slanguage," shaped by editor Abel Green, relied on clipped trade terms such as terp and was described by colleagues as a "monotone laced with slanguage."[40][39]
  • In The American Language (Supplement I, 1945), H. L. Mencken remarks on Variety's inventive, insular jargon and its wider journalistic influence.[3]

International lexicography

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  • In Italian, the Dizionario di slang americano (1999) – by Roberto Cagliero, an Anglo-American literature scholar, and Chiara Spallino, a translator and lecturer – included entries for "terp" and "terper" in the publication.[41]

Linguistics and language studies

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  • The late C. Merton Babcock, PhD (1908–1988), included the term terper in his 1961 monograph on linguistics and language studies of American English and slang. He listed it as part of the Tin Pan Alley lexicon alongside other contemporary music industry terms such as demo, biscuit, payola, and "race" records.[42]

Decline and legacy

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The term terp appears in Rosemarie Ostler's 2003 linguistic history, Dewdroppers, Waldos, and Slackers: A Decade-by-Decade Guide to the Vanishing Vocabulary of the 20th Century, which catalogs fading American slang across generations. In a section on early vaudeville and ballroom culture (1900–1919), Ostler lists terp team as a slang term for ballroom dancers. She contextualizes terp as part of a broader tradition of classical-rooted slang used by performers and subcultures in the early 20th century.[43]

See also

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  • Eponym
  • Variety magazine – describes the publication's use of entertainment jargon known as slanguage.
  • Selected entries from Wiktionary:
  1. Appendix:Words from Variety
  2. terp; includes derived term, terpery;[44] in one example, used journalistically in 1952 by DownBeat as a noun to describe "ballroom business or dance establishment."[45]
  3. terped
  4. terper[44]
  5. terpers
  6. terping
  7. terpsichorean[44]
  8. Terpsichorean

Joe Lubin and Irving J. Roth

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  • "Chi-Hua-Hua" by Joe Lubin (né Joseph Lubinsky; 1917–2001) and Irving J. Roth (pseudonym Adam Ross; né Irving Jack Rothman; 1922–2006), Daywin Music, Inc.
  • "Arwin Off To Fast Start" (PDF). The Cash Box. Vol. 19, no. 35. May 17, 1958. p. 27. Retrieved June 26, 2025 – via World Radio History (worldradiohistory.com); David E. Frackelton Gleason (born 1946), Cleveland.
LOS ANGELES—The newly reactivated Arwin label has gotten off to a very fast start with its first two releases. The firm's first record of "Jennie Lee" was found by Arwin A&R chief, Joe Lubin who waxed the tune and signed the two youngsters, Jan and Arnie, who recorded and wrote the tune, to an exclusive management and recording deal. Lubin also wrote the label's second release, "Cha-Hua-Hua." Arwin has set up 34 distributors throughout the country as a result of the success of these two first releases.
  • Catalogue of Copyright Entries. "Third Series" "Music" – "Current Registrations".
    1. Vol. 12, Part 5, No. 1. January–June 1958. "Cha-Hua-Hua." Class E (unpublished) EU519640; 23 May 1958. p. 69 – via Internet Archive  .

Bibliography

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Notes

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  1. ^ Ayto & Simpson, 1992, p. 259.
  2. ^ a b Green & Laurie, 1951, pp. 571–572.
  3. ^ a b Mencken, 1945, p. 338.
  4. ^ Kroon, 2010, p. 681.
  5. ^ "Slanguage," Feb. 23, 2000.
  6. ^ a b Zhito, October 8, 1949, p. 18.
  7. ^ Whitney, 1889–1991, Part 22.
  8. ^ Emery & Brewster (eds.), 1927, p. 1964.
  9. ^ Beckett, Jun. 1895, pp. 675–677.
  10. ^ "Marga Waldron," Jul. 29, 1922, p. 12.
  11. ^ "New Show ...," Jul. 21, 1922, p. 19.
  12. ^ "Terp Slated ...," May 23, 1938, p. 1.
  13. ^ "Music and Dance ...," Mar. 30, 1974, p. 18B.
  14. ^ Bream, Feb. 6, 2021, p. 1.
  15. ^ "Dance Party ...," Apr. 15, 2025.
  16. ^ LaRue, 1991, p. 72.
  17. ^ Veale, Feb. 25, 2001, p. 7 (sect. 4).
  18. ^ Adams, Aug. 19, 2014.
  19. ^ Green, Apr. 7, 1937, p. 56.
  20. ^ Quigg, Oct. 30, 1954, p. 36.
  21. ^ Gross, Jun. 16, 1954, pp. 1, 63.
  22. ^ Elley, 1992–2001.
  23. ^ Billboard, May 4, 1946, p. 33.
  24. ^ Billboard, Feb. 17, 1951, p. 75.
  25. ^ Billboard, Feb. 23, 1957, p. 63.
  26. ^ Billboard, May 12, 1958, p. 40.
  27. ^ Billboard, Mar. 7, 1960, p. 32.
  28. ^ Guest, Nov. 28, 1980, pp. D1 & D3.
  29. ^ "Terp-Sichorean," Nov. 11, 1949, p. 20.
  30. ^ Gastit, 1913, p. 398.
  31. ^ Weiner, 1996, p. 613.
  32. ^ Dalzell, 2008, p. 981.
  33. ^ Partridge, Dalzell, Victor, 2013, p. 2239.
  34. ^ Murray & Burchfield (Vol. 11), 1933, p. 208.
  35. ^ Berrey & Van den Bark, 1953, pp. 365, 583.
  36. ^ Lewin & Lewin, 1995, pp. 66, 95, 140–141.
  37. ^ Freeman, May 11, 1973, p. 42.
  38. ^ Wilmeth, 1981, p. 271.
  39. ^ a b Tyson, Jun. 7, 2025, p. 317.
  40. ^ Bart, 2006, pp. xviii–xxiii.
  41. ^ Cagliero & Spallino, 1999, pp. 526–527.
  42. ^ Babcock, 1961, p. 144.
  43. ^ Ostler, 2003, p. 10.
  44. ^ a b c Trapido, Langhans, Brandon (eds.), 1985, p. 866.
  45. ^ "Trianon Terpery," Oct. 8, 1952, p. 15.

References

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    1. Ayto, John; Simpson, John; Simpson, J. A. (1992). Via Internet Archive. Oxford University Press. ISBN 978-0-19-866181-8. Retrieved June 9, 2025. OCLC 4811590177 (ID for the term, "terp", 2008 ed.)
  • Beckett, Arthur W. (June 1895). "Dancers, Dances, and Dancing." "By a Disciple of Terpsichore". The Westminster Review. 143 (6). New York: Leonard Scott Publication Company: 675–677.
    1. Via Google Books (Wisconsin).  
    1. 1948 ed.. p. 583. Retrieved June 24, 2025 – via Internet Archive.
    1. "New Records: Will Osborne". Vol. 58, no. 18. May 4, 1946. p. 33.
    2. "Country & Western (Folk) Record Reviews: Tex Williams". Vol. 63, no. 7. February 17, 1951. p. 75.
    3. "Reviews of New Pop Records".
      1. "Benny Strong Ork". Vol. 69, no. 8. February 23, 1957. p. 63.
    4. "Reviews and Ratings of New Popular Albums".
      1. The Soul of Cuba. Vol. 72, no. 10. March 7, 1960. p. 32.
    5. "Reviews of New Pop Records".
      1. "Eddie Platt Ork". Vol. 70, no. 19. May 12, 1958. p. 40.
  • Bream, Jon (February 6, 2021). "Streetscapes: Surf's Up in Clear Lake, Iowa – The Ballroom Where Buddy Holly Played His Final Show Is Now a Historic Landmark". Minnesota Star Tribune. "Variety" (Section E). Vol. 39, no. 308. Minneapolis. p. 1. Retrieved June 20, 2021. ISSN 0895-2825.
    1. ProQuest 2486878640 (subscription required) (U.S. Newsstream database).
    2. Via Newspapers.com.
    In italiano
    1. terp verbo (teatrico) danzare.
    2. terper sostantivo (teatrico) ballerina, ballerino

    English translation:

    1. terp verb (theatrical) to dance
    2. terper noun (theatrical) ballerina, dancer
    1. 1991 ed.. ISBN 0-6005-6813-X (paperback); ISBN 0-6005-7222-6 (hardback).
    2. 1993 ed.. ISBN 0-3995-2582-3; ISBN 978-0-6005-7654-9, 0-6005-7654-X.
    3. 1995 ed.. ISBN 0-6005-8330-9.
    4. 1996 ed.. ISBN 0-6005-8705-3.
    5. 1997 ed.. ISBN 978-0-6005-9028-6, 0-6005-9028-3.
    6. 1999 ed. (revised and update of the 1997 ed.). ISBN 978-0-3995-2480-6, 0-3995-2480-0.
    7. 2000 ed. (revised and update of the 1997 ed.). ISBN 0-3995-2582-3, 978-0-3995-2582-7.
    8. 2001 ed. (revised and update of the 1997 ed.). ISBN 0-3995-2657-9.
  • Emery, Hulbert George (1877–1941); Brewster, Katharine Grant (maiden; 1915–2009), eds. (1927). The New Century Dictionary of the English Language – Based on matter selected from the original Century Dictionary and entirely rewritten, with the addition of a great amount of new material, and containing the great mass of words and phrases in ordinary use. 12,000 quotations. 4,000 pictorial illustrations. With supplements of synonyms and antonyms, foreign words and phrases, biographical names; geographical names, etc. New York and London: The Century Company, publisher. New York: P.F. Collier & Son Company, sole distributors.{{cite book}}: CS1 maint: multiple names: editors list (link) CS1 maint: numeric names: editors list (link)
    1. Vol. 3: "Stone-blind – Zymurgy and Supplements" – via Google Books (Michigan).  
  • Freeman, William Myron (1913–1990) (May 11, 1973). "Abel Green, Editor of Variety and Language Stylist, 72, Dies" – "Architect of Showbiz Prose Wrote of Entertainment and Its Personalities". New York Times (The). Vol. 122, whole no. 42111. p. 42.{{cite book}}: CS1 maint: numeric names: authors list (link)
    1. Freeman, William M. (11 May 1973). Via New York Times (blog ed.). Retrieved June 12, 2025.  
    2. Via TimesMachine. Vol. 122, whole no. 42111 (print ed.). p. 42. Retrieved June 12, 2025.  
    3. Permalink via TimesMachine (print ed.). Retrieved June 12, 2025.  
    4. Pdf via TimesMachine (print ed.). Retrieved June 12, 2025.  
    1. Via Google Books (Michigan).  
See Rainbow Room.
Elinor Sheridan is a sub for Renee de Jarnette [né Gail Manners DeJarnette; 1915–2007], who dropped out. Miss Tyner [né Evalyn Lucinda Tyner; 1901–1982] is a marathon holdover with her pianologistic interludes on the Steinway. Dr. Ross [aka Sydney Ross; né Sallie Rosenbloom; 1901–1986] (currently doing a 'command' White House performance at the White House) is another who is now something of an institution with his card manipulations at the tables. Eddie LeBaron [ne Edward Albaclini Gastine; 1906–1983] at the helm of his Continental-type orchestra is a personable personality who should be accorded more platform space to prance around in, as he keeps terp tempo to his own tunes, just as he did at the Sert Room [at the Waldorf Astoria].
    1. Via Pdf (PDF). Retrieved June 12, 2025 – via World Radio History (worldradiohistory.com); David E. Frackelton Gleason (born 1946), Cleveland.  
    2. Via Internet Archive. Retrieved June 12, 2025.  
    1. "Choreographer n. terper". p. 66.
    2. "Dancer n. ... terper ...". p. 95.
    3. "Entertainer n. 3. ... terper ...". pp. 140–141.
    1. 1900–1919: "Flast Acts" – "Terp team". 2003. ISBN 978-0-19-516146-5 – via Internet Archive.
    2. 1900–1919: "Flash Acts" – "Terp team" (limited preview) – via Google Books.
"What the heck is mambo? We'll probably never know, exactly – although it seems to be all around us, like the air, or chlorophyll, or Author Godfrey. Damaso Pérez Prado doesn't seem to know, and he's the man who claims to have invented the thing. 'Yanks Dig That Mambo Beat,' said a headline across the front page of the show business paper Variety recently. And a smaller headline said: 'Puerto Rico Terp Tempo Spreading.' Perez Prado isn't a Puerto Rican. He's a Cuban ..."
"Chicago — The Trianon, for 30 years one of the city's most famous and popular ballrooms, will be put up at public auction on Oct. 14. Operated by William Karzas [1889–1963], it's a sister operation of the Aragon and has been the home of many top bands over the years."
  • Veale, Scott (February 25, 2001). "Word for Word / Variety 'Slanguage"' – "Show-Biz Tubthumping: How to Tell The Socko From the Whammo". New York Times. "Week in Review" (Section 4). Vol. 150, no. whole no. 51675. p. 7. Retrieved June 20, 2025.
    1. Blog ed.
      1. Via New York Times. Archived from the original on May 27, 2015.  
      2. Via ProQuest 2232717051 (subscription required) (U.S. Newsstream database).
    2. Print ed. (digital).
      1. Via TimesMachine (print ed.).
      2. Permalink via TimesMachine (print ed.).
      3. Via ProQuest 431663740 (subscription required) (U.S. Newsstream database).
    Main article: Century Dictionary
    1. Vol. 6, Part 22: "Term – Trust". p. 6244 – via Internet Archive (Robarts).  


Category:Musical terminology Category:English-language slang Category:Jazz terminology Category:American English idioms Category:20th-century neologisms Category:Dance terminology Category:Eponyms Category:Show business terms

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